|Degrees||M.Phil (Oxon); BA (H.Hons), Magna cum Laude (W&M)|
|Course||D.Phil in Music|
Oxford OX1 4AJ
Conducting | Americanist Musicology | Music & Culture at the Fin de Siècle | British Music | Music and Theology
Matthew F. Reese is an American conductor active on both sides of the Atlantic. He currently conducts the Washington Young Sinfonia and was most recently music director of the English chamber orchestra, Consortium Novum. In his three years with CN, the ensemble was active on both the concert platform and in the opera pit, with a repertory ranging from Mozart’s Così fan tutte and Le nozze di Figaro to Stravinsky’s Petrushka, and Strauss’s Tod und Verklärung. He concluded his CN tenure with a charity performance of Beethoven’s Symphony No. 9 in aid of homelessness relief.
A recipient of Oxford’s conducting prize, Matthew has held the Music Directorships of the Oxford University Philharmonia (2016–17), the Oxford University Wind Orchestra (2015–16), and The Choir of Pusey House (2017–18). In 2016, he was named the University’s inaugural Conducting Scholar, assistant-conducting the St. Anne’s Camerata. Matthew has studied conducting under the Celibidache student, Angel Gil-Ordóñez (PostClassical), Paul Spicer (Finzi Singers), Akiko Fujimoto (Minnesota Orchestra), and with the Haydn scholar, James Armstrong (William & Mary).
Matthew holds degrees from the College of William & Mary (BA) and the University of Oxford (M.Phil, 2016; D.Phil, 2019). He is currently a visiting lecturer in musicology at the Peabody Institute and The Johns Hopkins University, an assistant conductor for the Annapolis Symphony Academy and Georgetown University, as well as cover conductor for the National Orchestral Institute.
In addition to his work as a conductor, Matthew is also a cellist and a tenor. He holds a Lay Clerkship at the Episcopal church of Grace & St. Peter’s, Baltimore, and regularly deputizes with the Choirs of Men and Boys, and Men and Girls at Washington National Cathedral.
Area of proposed thesis
Matthew’s research, supervised by Prof. Owen Rees, and Prof. Peter Franklin, concerns European composer tours to the United States at the fin de siècle, notably those of Richard Strauss (1904), Camille Saint-Saëns, and Alexander Scriabin (1906–07). He submitted in May 2019, successfully defended in October 2019, and his thesis was then accepted by the university examiners. He formally graduates in the ceremony on 18 July 2020.
Brasenose College Junior Deanship
St. Anne’s College Balfour Research Scholarship
Joan Conway Scholarship in Performance Studies
Faculty Performance Tuition Grants
The Johns Hopkins University
& The Peabody Institute:
‘Music History III: Beethoven – Brahms’ (Undergraduate survey, Fall ’18)
‘Mahler in America’ (Graduate seminar, Spring ’19)
‘English Music from Dunstaple to Adès’ (Graduate seminar, Fall ’19)
‘Great Books’ (Undergraduate freshman seminar, Fall ’19)
‘Das Leben Wagners’ (Graduate seminar, Spring ’20)
‘Music & the Reformation: Popes, Poetry, and Power’ (Undergraduate seminar, Spring ’20)
‘Expanding the Canon: Women Composers & Composers of Color’ *
The University of Oxford:
Prelims: ‘Strauss & Women’, Prof. Laura Tunbridge
FHS: ‘Modernism in Vienna’, Prof. Jonathan Cross
[Exeter, St. Hugh’s, and St. Peter’s Colleges]