News
Battle of Ideas
This year’s Battle of Ideas, a two-day festival tackling some of the most urgent and interesting social, political and cultural issues and ideas today, takes place on 1 & 2 November 2008 at the Royal College of Art. Martin Stokes is taking part in a discussion entitled We are the world: what is world music? on Sunday 2 November. The session is chaired by Cara Bleiman, who graduated from Oxford in Music this summer and is currently reading for an MSt in Social Anthropology, and the panel includes Ivan Hewitt, Magdalen Music graduate, broadcaster and music critic of the Daily Telegraph. Click here for full details.
‘World music’ is an established part of the music scene, played on mainstream radio and frequently performed live; it is studied at universities and celebrated at the BBC’s annual World Music Awards. For many, it means celebrating the diversity of humanity while recognising the universality of music. But it is only in recent decades that the idea of ‘world music’ entered the public consciousness, emerging from the WOMAD festivals to be picked up as a brand to sell CDs. ‘World music’ thus comprises everything from African pop to Javanese gamelan, and is generally understood to mean any non-Western music. But does it actually mean anything in musical terms? Is it any more than a marketing label, patronisingly lumping together radically different musical forms to make Western consumers feel good about their exotic musical tastes?
Politicians have called for more music from ‘other countries’ in schools, and a more ‘diverse’ programme at the Proms. But there is surely a mismatch between the desire to embrace other musical traditions, and the discriminating standards necessary to understand and appreciate any form of music properly. Does listening to world music mean we’re embracing a universal, or are we simply being cultural tourists? Should we be worried about the willingness of some ‘world’ musicians to make a career adapting their material for Western tastes? And, in a globalising world, are we in danger of confusing the influence of the market – which now makes all sorts of music available – with the possibility of music that truly speaks to our universal humanity?