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Research Students
These pages document research students and their projects and activities within the Faculty. Current students include:
Writing Music Theory in Early Modern Italy: Adriano Banchieri and his Contemporaries
Monteverdi's Operas in the Twentieth Century
English Catholic Liturgical Music after the Reformation: Behind locked doors or overseas
Music, Timbre, Colour in Fin-de-Siecle Vienna: Zemlinsky, Schreker, Schoenberg
The Significance and Influence of Recording in the 1950s
Music and the Making of African Modernity in Sekou Toure's Guinea
Innovation in Dynamic Music for Video-Games - Branching and Generative Musical Engine Prototypes
Paul Hindemith's Theory of Music: its sources and applications
Composition, Experimentalism and Improvisation, Folk Music of the British Isles and Southeastern US, Nineteenth- and Twentieth-Century British Music
Music Composition: Words and Music
Playing Schumann, Hearing Chopin: Musical Affinities in Nineteenth-Century Pianism
Composition, Improvisation, Aesthetics of contemporary music/visual arts
The Opus and Musica Poetica in Early Sixteenth-Century Germany: Foundations and Functions
An analysis, psychology and aesthetics of home-recorded lo-fi music
The London Music Trade 1500-1725
Ethnomusicology, anthropology of music, cultural theory
Constructing the Minnesänger Musically
Extended Playing Techniques and notation in contemporary piano music
Constructs of Self in the Discourses of Early Twentieth-Century String Players
Intertextuality, exegis, and composition in polytextual motets around 1500
'The dittyinge of musicke': A study of setting words to music in sixteenth-century England
Medieval Music: Back to the Fundamentals
Mozart's Concert Arias, Their Singers and Their Relationship with Opera
Hazards of Thirteenth Century Notational Chronology
Early 16th century Musicology, Mouton, models and misattribution: a study of Selecti aliquot
Agency, Physicality, Space: Analytical Approaches to Contemporary Nordic Concertos
Motivic technique in the operas of Benjamin Britten
The Music of Language: Pitch Intervals in Speech
Vaughan Williams and Modernity: Nationalism, Voice, and English Musical Identity
Perceptions of JS Bach and Performance of his Music in Nineteenth-Century England
Song Odyssey: Negotiating Identities in Contemporary Greek Popular Music
Electronic music-making with repurposed media
Organ Reform in England and its Appeal to JS Bach's Music 1926-1969
Performing a Political Shift: Avant-Garde Music in Cold War Spain
J.S. Bach At The Coffee-House: Music as Edifying Practice
Minimalism 1960-2001: Definitions, Developments, Reception
Siegfried and Gotterdammerung - Prospects for a new view of the Leitmotiv
English Romantic Opera - Drury Lane and the Lyceum Theatre 1816 - 1866
An evaluation of the hermeneutic implications of aleatoric avant-garde and non-linear video-game formal structure
Portfolio of Compositions and Critical Writing
Technological and aesthetic change in electroacoustic music
Sounding simultaneities: musical gestures and silent spaces in the twentieth century
ethnomusicology, anthropology of music and contemporary music
Benjamin Britten, Henry Purcell and Early Music
The Symphonies of Charles Villiers Stanford: Constructing a National Identity?
The Relationship between Embodiment, Pleasure and Groove-Based Music
