People
Martin Stokes Publications
Single Authored books:
The Arabesk Debate: Music and Musicians in Modern Turkey, Clarendon Press, Oxford, 1992 (2nd edition forthcoming).
Arabesk Olayi: Türkiye'de Müzik ve Müzisiyenler, Iletisim, Istanbul, 1998 (Turkish translation of The Arabesk Debate, with new author's preface)
The Republic of Love: Transformations of Intimacy in Turkish Popular Music, University of Chicago Press, Chicago, 2010.
Edited Collections:
Ethnicity, Identity and Music: The Musical Construction of Place, Berg, Oxford, 1994 (2nd edition 1997).
Nationalism, Minorities and Diasporas: Identities and Rights in the Middle East, (eds. K. Schulze, M. Stokes and C. Campbell), Tauris Academic Studies, London, 1996.
Celtic Modern: Music on the Global Fringe, Lanham MD: Scarecrow Press, (ed. M. Stokes and P.V. Bohlman), 2004
Special Issues:
Popular Music, vol. 15 no. 3, 1996, Middle East Issue (with R. Davis)
Music and Anthropology 11, 2006, Special Issue on Turkey (http://research.umbc.edu/eol/MA/index/number11/ma_ind11.htm)
Journal Articles
Doğu Karadeniz'de Türkler'in Varlığı ve Kültürel Etkinlikleri', Konuşan Karadeniz, no. 3 1988, p. 22.
'Music, Fate and State: Turkey's Arabesk Debate', Middle East Report (MERIP), No. 160, September-October 1989, pp. 27-30.
'Islam, the Turkish State and Arabesk', Popular Music 11 no. 2, 1992, pp. 213-27.
'The Media and Reform: The Saz and Elektrosaz in Turkish Popular Music', British Journal of Ethnomusicology, 1, 1992, pp. 89-102.
'Islam and the State in Turkey's Arabesk Debate', Popular Music Perspectives III (Proceedings of the Sixth International Conference on Popular Music Studies ed. P. Wicke), pp. 11-16,
'Introduction' (with R. Davis), Popular Music, special issue on Middle East, vol. 15 no. 3, 1996, pp. 255-257.
'Alaturka Fantasies': Deceit, the Voice and the Arabesk Stage in Turkey', New Formations Vol. 27, Winter 1995-6, special issue on performance (ed. S. Frith), pp. 42-58.
'The Global Turk: Ethnomusicology, World Music and Identity', ICTM(UK) Newsletter Vol. 10, Winter 1995, pp. 25-28.
'History, Memory and Nostalgia in Contemporary Turkish Musicology', Music and Anthropology 1, 1996 (http://muspe1.cirfid.unibo.it/M&A)
'Arabesk: Locality and Hybridity in Turkish Popular Music', Schweizerische Gesellschaft Mittler Osten und Islamische Kulturen Bullitin, 2 May 1996, pp. 4-8
'Where was Mirkelam Running?'Mediterraneans 10, 1997-8, pp. 326-331.
'Voices and Places: History, Repetition and the Musical Imagination' (Curl Lecture), Journal of the Royal Anthropological Society 3 no. 4, 1997, pp. 673-691
'Turkish Urban Popular Music' , Middle East Studies Association Bulletin 33 no. 1, 1999, pp. 10-15.
'Afterword: Music and Tourism' , World of Music 3 no. 1, 1999, pp. 141-15
‘Sentimentalism and its Futures: The Vocal Art of Zeki Müren and Abd al-Halim Hafiz'. Musica e Storia 10 no. 2, 2002, pp. 581-598.
'Balkanlara Düşen Işık: Sezen Aksu'nun Anadolu Popu' in Folklor/Edebiyat 36 no. 4, 2003, pp. 115-125 (tr. Aysegül Aral)
Music Nationalism and Transnationalism in the ‘New Global Order', Revista Portuguesa de Musicologia 13, 2003, pp. 163-180.
‘Musique, Identité et ‘Ville-monde': Perspectives Critiques', L'Homme (Revue Française d'Anthropologie), Musique et Anthropologie (Special Issue, eds. B. Lortat-Jacob and Miriam Rovsing Olsen), no. 171-172, Juillet/Decembre 2004, pp. 371-387.
‘Music and the Global Order', Annual Review of Anthropology no. 33, 2004, pp. 47-72.
‘Special Issue on Turkey: Introduction', Music and Anthropology 11, 2006 (http://research.umbc.edu/eol/MA/index/number11/ma_ind11.htm)
‘Adam Smith and the Dark Nightingale: On Twentieth-Century Sentimentalism', Twentieth Century Music 3 no. 2, 2007, pp. 2o1-219.
‘On Musical Cosmopolitanism', Macalaster International 21, Summer 2008, 3-26.
‘Anxieties of Scale', Revue Filigrane 12, 201o.
‘Response to Tim Rice", Ethnomusicology, 2010, 54 no. 2, 339-341.
Book Chapters:
'Hazelnuts and Lutes: Perceptions of Change in a Black Sea Valley' in Culture and the Economy: Changes in Turkish Villages, ed. P. Stirling, Eothen, Huntingdon, 1993, pp. 27-45.
'Media, Emigrazione e Identita: Il Kemençe e la Musica Del Mar Nero a Istanbul' in Antropologia Della Musica e Culture Mediterranee, ed. T. Magrini, Societa Edetrice il Mulino, Venice, 1993, pp. 147-164.
'"Local Arabesk" and the Turkish-Syrian Border' in The Anthropology of Borders, ed. H. Donnan and T. Wilson, Anthropological Association of Ireland, Belfast and Maynooth, New York, Academic Press, 1994, pp. 31-52.
'Turkish Arabesk and The City: Urban Popular Culture as Spatial Practice', in Islam, Globalisation and Postmodernity, ed. Ahmed A. and H. Donnan, London, Routledge, 1994, pp. 21-37.
'Introduction: Ethnicity, Identity and Music' in Music, Ethnicity and Identity, ed. M. Stokes, Berg, Oxford and New York, 1994, pp. 1-27.
'Music, Meaning and Exchange: Black Sea Turks in the West of Ireland' in Music, Ethnicity and Identity, ed. M. Stokes, Berg, Oxford and New York, 1994, pp. 97-116.
Reprinted in S. Frith (ed.) Popular Music: Critical Concepts in Media and Cultural Studies, Routledge, London and New York, 2004, pp. 101-117.
'"Strong as a Turk": Power, Performance and Representation in Turkish Wrestling' inSport, Identity and Ethnicity, ed. J. McClancey, Berg, Oxford, 1996, pp. 21-42.
'"The South": Hybridity and Heterotopias on the Turkish-Syrian Border' in Border Identities eds. H. Donnan and T. Wilson, Cambridge University Press, 1998, pp. 263-287.
'Introduction' (with Kirsten E. Shultze and Colm Campbell) to Nationalism, Minorities and Diasporas: Identities and Rights in the Middle East, eds. K. Schulze, M. Stokes and C. Campbell, Tauris Academic Studies, 1996, pp. 1-12
'Ritual, Identity and the State: An Alevi (Shi'a) Cem Cermony in Iskenderun, South Turkey' in Nationalism, Minorities and Diasporas: Identities and Rights in the Middle East, eds. Campbell, C., K. Schulze and M. Stokes, Tauris Academic Studies, 1996, pp. 188-202.
'Performance and Authority in Turkish Arabesk' , in Music on Show: Issues of Performance eds. Tarja Hautamäki and Helmi Järviluoma, Dept. of Folk Tradition Publ. 25, Tampere 1998, pp. 314-318.
'Sounding Out: The Culture Industries and the Globalisation of Istanbul' for Ç. Keyder (ed.) Istanbul: Between the Global and the Local, Rowman and Littlefield, Boulder CO, 1999, pp. 121-139.
Translated as: Kültür Endüstrileri ve Istanbul'un Küreselleşmesi in Istanbul: Küresel ile Yerel Arasında, ed. Ç. Keyder, Metis, Istanbul, 2000, pp.145-167.
'East, West, and Arabesk' in Western Music and its Others: Difference, Appropriation and Representation in Music, eds. G. Born and D. Hesmondhaugh, University of California Press, Berkeley, 2000, pp. 213-233.
'"Beloved Istanbul": Realism and the Transnational Imaginary in Turkish Popular Culture' for Mass Mediations: New Approaches to Popular Culture in the Middle East and Beyond, ed. W. Armbrust, University of California Press, Berkeley, 2000, pp. 224-242.
'Introduction' (with H. Donnan) for Interpreting Islam, ed. H. Donnan, Sage, 2002, pp. 1-19.
'Silver Sounds in the Inner Citadel: Reflections on Islam and Musicology' in Interpreting Islam , ed. H. Donnan, Sage, 2002, pp. 167-189.
'Afterword: Theorizing the Turkish Everyday' in Fragments of the Everyday, ed. Deniz Kandiyoti, Tauris, London, 2002
Translated as ‘Gündelik Yaşamı Tanımak', Kültür
Fragmanları, Metis, Istanbul, 2002, pp. 321-336.
'Marx, Money and Musicians' in Music and Marx, ed. R. Q. Burckhardt, Routledge, New York, 2003, pp. 139-163.
'Whose World? Globalization and World Music', for Martin Clayton et al (eds.) The Cultural Study of Music, Routledge, New York, 2003, pp. 296-308. (currently being rewritten for second edition, 2011.)
'Introduction', Celtic Modern: Music at the Global Fringe, with Phil Bohlman, The Scarecrow Press, Lanham, 2003, pp. 1-26.
‘Talk and Text: Popular Music and Ethnomusicology' in Analyzing Popular Music ed. Alan Moore, Cambridge University Press, Cambridge, 2003, pp. 218-239.
'The Tearful Public Sphere: Turkey's Sun of Art, Zeki Müren' Music and Gender: Perspectives from the Mediterranean, ed. T. Magrini, University of Chicago Press, Chicago, 2004 pp. 307-328.
‘Shedding Light on the Balkans: Sezen Aksu's Anatolian Pop' in D. Buchanan (ed.) Balkan Popular Music and the Ottoman Ecumeme: Music, Image, and Regional Political Discourse, Scarecrow Press, Lanham MD, 2008, pp. 309-334.
‘John Blacking and Ethnomusicology', ed. Alvin Jackson and David Livingstone, Queen's Thinkers, Blackstaff Press, Belfast, 2008.
‘Listening to Abd al-Halim Hafiz' in M. Slobin (ed.) Global Soundtracks: Music in World Cinema, Wesleyan University Press, 2008, pp. 309-336.
‘Afterword' for The New (Ethno)musicologies ed. Henry Stobart, Lanham: Scarecrow Press, 2008, pp. 207-217.
‘The Work of Pain' for The Musical Anthropology of the Mediterranean: Interpretation, Performance, Identity/Antropologia della musica nel Mediterraneo: Interpretazione, performance e identità: In ricordo di Tullia Magrini, ed. P.V. Bohlman and M. Sorce-Keller, Bologna: CLUEB, 2009, pp. 207-212.
‘Abd al-Halim's Microphone' for L. Nooshin (ed.), Music and the Play of Power: Music, Politics and Ideology in the Middle East, North Africa and Central Asia, Ashgate Press, London, 2010, 55-73.
‘Afterword' for Cambridge History of World Music, ed. P.V. Bohlman, Cambridge: Cambridge University Press (forthcoming).
‘"And After Love...": Eurovision, Portuguese Popular Culture and the Carnation Revolution' (with Luisa Pinto Teixeira). For Dafni Tragaki (ed.) Singing Europe, Lanham: Scarecrow Press (forthcoming).
"New Islamist Popular Culture in Turkey" for Kamal Salhi (ed.) (forthcoming).
"Music" for M. Heper and S. Sayarı (ed.) The Routledge Handbook of Modern Turkey (forthcoming).
"Whatever Happened to Arabesk? Müslüm Gürses, Murathan Mungan and Aşk Tesadüfleri Sever" in Christian Christensen (ed.) Understanding Media and Culture in Turkey: Structures, Spaces, Voices (forthcoming).
"Afterword" for K. Van Nieuwkerk, Islam and the Performing Arts (forthcoming).
"Migrant/Migrating Musics and the Mediterranean" for B. Dueck and J. Toynbee (eds.) Migrating Music (forthcoming).
Encylopedia Articles
‘Music' for A. Barnard and J. Spencer (eds.) Encyclopedia of Social and Cultural Anthropology, Routledge, London, 1996, pp. 383-386.
'Turkey' for New Grove Dictionary of Music and Musicians, Macmillan, 2001 (revision of Kurt Reinhard article, with new sections); articles on Aşık Veysel, Tanburi Cemil Bey, Orhan Gencebay, Cem Karaca, Philip Bohlman and Ruth Finnegan
'Ethnomusicology: Current Directions' for New Grove Dictionary of Music and Musicians, Macmillan, 2001
'Identity', 'Ethnicity and Race', 'Postcolonialism' for The Continuum Encyclopedia of Popular Musics of the World, Vol. 1, Media, Culture and the Industry, Continuum (ed. J. Shepherd), 2003, pp. 246-249, 213-220, 102-106.
‘Turkish Rock and Pop' for Garland Encyclopedia of Ethnomusicology Vol. 6: The Middle East, eds. V. Danielson, S. Marcus and D. Reynolds, Routledge, New York, 2002, pp. 247-253.
'Turkey: Sounds of Anatolia' for The Rough Guide to World Music, ed. Simon Broughton, Mark Ellingham and Richard Trillo, Penguin, London, 1999, pp. 396-410 (Revised in The Rough Guide to Turkey, with Marc Dubin, 2000, pp. 861-876
‘'Turkey', 'Istanbul', 'Ankara', 'Izmir' for The Continuum Encyclopedia of Popular Musics of the World (Locations 6:Afruca and the Middle East) Continuum (ed. J. Shepherd), 2005, pp. 233-242.
‘Arabesk' for The Encyclopedia of Islam (forthcoming)
‘Celticism' for Encylopedia of Music in Ireland, ed. Mel Mercier, Cork University Press (forthcoming)
‘Arabesk', ‘Turkish Pop' and ‘Anatolian Rock' for The Continuum Encyclopedia of Popular Musics of the World (Genres) (forthcoming).
‘Ethnic Music' for The Continuum Encyclopedia of Popular Musics of the World (Genres) (forthcoming).
‘Ethnicity, Language, Religion, Gender' module for Teaching the Middle East: A Resource for High School Educators (NEH funded University of Chicago-produced website).
‘Music in the Mediterranean', Dictionnaire critique de la Méditerranée, eds. Thierry Fabre and Mohamed Tozy (forthcoming).
Selected Reviews and Review Articles
Review of Rouget, G. 'Music and Trance', Journal of the Anthropological Society of Oxford, 17 no. 3, 1986, pp. 258-260.
Review of Wright O. (ed.) 'Demetrius Cantemir: The Notated Collections', in Bulletin of the School of Oriental and African Studies, 56 no. 1, 1993, pp. 142-3.
Review of Waterman C. 'Juju: A Social History and Ethnography of an African Popular Music', for Journal of the Anthropological Society of Oxford, 24 No. 1, 1993, pp. 85-87.
Review of Manuel, P. 'Cassette Culture: Music and Technology in North India' for Popular Music, 13 no. 3, October 1994, pp. 361-3.
Review of Moore A. 'Rock: The Primary Text' for British Journal of Ethnomusiocology, 3, 1994, pp. 120-2.
Review of Dresch P. 'Tribes, Government and History in Yemen' for Anthropology Ireland, 4 no. 2, pp. 59-61.
Review of Lortat-Jacob, B. 'Musiques en Fete' for Journal of the Royal Anthropological Institute, 1 no. 4, pp. 849-850.
Review of Virolle, M. 'La Chanson Rai: De L'Algerie profonde a la Scene Internationale' for Journal of Algerian Studies 2, 1997, pp. 153-154.
Review of Danielson V. 'The Voice of Egypt' for Ethnomusicology 43 no. 1, 1999, pp. 177-179.
Review of Sugarman J. 'Engendering Song' for World of Music 41 no. 2, 1999, pp. 172-174.
Review of Feldman W. (ed.) 'Music of the Ottoman Court' for Yearbook of Traditional Music 1999, pp. 140-142.
Review of Öztürkmen, A. 'Türkiye'de Folklor ve Milliyetcilik' for New Perspectives on Modern Turkey forthcoming
Review of Wright, O. 'Demetrius Cantemir: The Collection of Notations (commentary)' for Bulletin of SOAS, 2002, 65 no. 3, pp. 561-2.
Review of ‘The Garland Encyclopedia of World Music Vol 8 (Europe)' for Journal of the American Musicological Society 56 no. 3, 2003, 214-220.
Review of ‘Choreographic Politics: State Folk Dance Companies, Representation and Power', by Anthony Shay, in Middle East Studies Bulletin 37 no. 2. 2003, pp. 295-6.
Review of Cooley, T. ‘Making Music in the Polish Tatras: Tourists, Ethnographers, and Mountain Music' for Slavic Studies Review, 65 no. 4, 2007, pp 807-808.
Review of Sexton, J. ‘Music, Sound and Multimedia', for British Journal of Ethnomusicology 18 no. 1, pp. 172-175.
Review of Wright, O. ‘Touraj Kiaras and Persian Classical Music: An Analytical Perspective' for Music and Letters (forthcoming)
Varia: opera reviews (with David Levin); reviews for Songlines, volume 1 to the present.