Junior Research Fellow, Christ Church
Twentieth-century Italian opera and music culture; modernism; theories of noise; history of technology; Venetian studies.
British Academy Postdoctoral Fellow
Musical culture of sixteenth and seventeenth-century England.
Research interests in the Digital Image Archive of Medieval Music (DIAMM).
Leverhulme Early Career Fellow
Psychology of performance, time and timing in contemporary performance, jazz studies, creativity studies, improvisation, and musical entrainment.
Junior Research Fellow
Research interests include French music during the Third Republic, sound in literature, film music, urban cultural studies, soundscape studies and sound ecology, sound art and sound maps, music and visual arts.
Marie Sklodowska-Curie Fellow
Sociology of music, sociology of choral performances and activities, Johann Sebastian Bach, composer-orientation of amateur choirs, music and identity, music and cultural capital, music and social capital, informal music education, choral leadership studies, cultural policy and management, organisational studies of amateur music ensembles.
Lord Crewe Junior Research Fellow in Music, Lincoln College
Research interests in early music, in particular notation, chant, music book production and the Dominican Order.
British Academy Postdoctoral Research Fellow
Research interests in music psychology, music, well-being and health, music and consciousness, music education and the psychology of performance.
AHRC Fellows in the Creative and Performing Arts
Research interests include historical string performance, music in late 18th- and early 19th-century Vienna and London, and performance philosophy.
Research Fellow and Tutor in Music, Oriel College; Lecturer in Music, Christ Church, The Queen’s and Trinity Colleges
Historical musicology (medieval music and music post-1900); music theory and analysis.
British Academy Postdoctoral Fellow, non-stipendiary Junior Research Fellow, Jesus College
Gustav Mahler, Richard Wagner, sketch studies, music analysis, conducting studies, performance and interpretation.
Leverhulme Early Career Fellow; Non-Stipendiary Junior Research Fellow, New College
Music and the First World War; music and propaganda; music and propaganda; early twentieth-century French music; cultural history
Postdoctoral Research Fellow on the ERC-funded ‘Music and Late Medieval European Courtly Cultures’ research project (MALMECC)
Laura is a Postdoctoral Research Fellow on the ERC-funded ‘Music and Late Medieval European Courtly Cultures’ research project (MALMECC), focussing on ‘Gender, Lineage and Patterns of Patronage in Late Medieval France, England and the Low Countries’. She is researching the cultural patronage and courtly role/s of Queen Philippa of Hainault, looking particularly at the illuminated manuscripts associated with her and their unusual musical content. Her broader research interests centre on the relationships between art, ideas, power and politics in medieval Britain and Europe. She is also interested in medieval responses to antiquity and the Holy Land.
Lecturer in Music, Magdalen College
Twentieth-century British music; music and politics; modernism; opera; music and identity; Cold War studies; Alan Bush; Michael Tippett; Benjamin Britten; Hanns Eisler; Frederick Delius; digital musicology.
Mellon Postdoctoral Fellow in Music Perception and Cognition
Sight and sound in musical performance, music and emotion, music and empathy.
Postdoctoral Researcher, ERC Project ‘Music and Late Medieval Court Cultures’
Medieval song and literature, manuscript transmission, medieval concepts of language
Junior Research Fellow, St. Hilda’s College, University of Oxford
The Tonal Webern: A Physiognomy of Early Modernism (doctoral dissertation)
British Academy Postdoctoral Fellow; Non-Stipendiary Junior Research Fellow, Lady Margaret Hall
Research interests include Peruvian music, UK hip hop, capitalism, sentimentalism, ethics/morality, divas, music video, music in prisons, ethnography
Post-doctoral Researcher (ERC-Project Music and Late Medieval European Court Cultures)
A Postdoctoral Research Fellow on the ERC-funded ‘Music and Late Medieval European Court Cultures’ research project (MALMECC), Christophe is particularly interested in the period of the Avignon papacy and of the Great Western Schism. His broader research interests cover late medieval warfare, political history, and the history of the Principality of Liège.