Prize Fellow in Music, Magdalen College
Annelies’s research focuses on music, theatre, and politics in the long nineteenth century (1789-1914). Her major interests are opera and other music theatre genres; staging and performance practice; politics, militarism, and war; and gender studies.
Junior Research Fellow
Research interests include French music during the Third Republic, sound in literature, film music, urban cultural studies, soundscape studies and sound ecology, sound art and sound maps, music and visual arts.
Junior Research Fellow, Christ Church
Twentieth-century Italian opera and music culture; modernism; theories of noise; history of technology; Venetian studies.
British Academy Postdoctoral Fellow; Non-Stipendiary Junior Research Fellow, St Hilda’s College
Contemporary classical music and sound art; the shakuhachi; Japanese music; music and environment; musical organicism and vitalism; materiality and organology; cosmopolitanism, place-making and transnational scenes; creativity and collaboration; ethnography.
British Academy Postdoctoral Fellow; Non-Stipendiary Junior Research Fellow, Lady Margaret Hall
Social and cultural study of music, community music, music ethnography, ethics/morality, Peruvian music and society, hip hop in the UK, music in youth centres, music in prisons/criminal justice.
Research interests in the Digital Image Archive of Medieval Music (DIAMM).
AHRC Fellows in the Creative and Performing Arts
Research interests include historical string performance, music in late 18th- and early 19th-century Vienna and London, and performance philosophy.
Leverhulme Early Career Fellow, Faculty of Music; Early Career Fellow, TORCH | The Oxford Research Centre in the Humanities; Postdoctoral Associate in the Humanities, St Cross College
Music historiography, post/colonial studies and epistemic ethics; music and global history in but not limited to the context of modern China and East Asia; archival musicology, including intersections between history and the archive
Research Associate, Bate Collection of Musical Instruments
Alice’s research focuses on eighteenth- and nineteenth-century national music (traditional or folk music), the history of collecting, and musical instruments. Her wider interests include social and cultural history, particularly of eighteenth-century England, and she is associated with the Oxford Centre for Life Writing. At the Bate Collection she is responsible for the Anthony Baines Archive Project.
Post-doctoral Researcher (ERC-Project Music and Late Medieval European Court Cultures)
A Postdoctoral Research Fellow on the ERC-funded ‘Music and Late Medieval European Court Cultures’ research project (MALMECC), Christophe is particularly interested in the period of the Avignon papacy and of the Great Western Schism. His broader research interests cover late medieval warfare, political history, and the history of the Principality of Liège.
Research Fellow and Tutor in Music, Oriel College; Lecturer in Music, Christ Church, The Queen’s and Trinity Colleges
Historical musicology (medieval music and music post-1900); music theory and analysis.
Lord Crewe Junior Research Fellow in Music, Lincoln College
Fabio is a cultural historian of French and German musical life in the age of European Revolutions (1789-1848). His major interests include canon formation and celebrity culture, music historiography, the ontology of musical notation and performance studies.
Postdoctoral Researcher, ERC Project ‘Music and Late Medieval Court Cultures’
Medieval song and literature, manuscript transmission, medieval concepts of language
Postdoctoral Researcher on the AHRC-funded 'Transforming 19th-Century HIP' research project (TCHIP)
Performance practices in nineteenth-century music, source studies, publishing in the nineteenth century, empirical and statistical approaches to music and performance, and performance cultures.
Postdoctoral Researcher on the AHRC-funded 'Transforming 19th-Century HIP' research project (TCHIP); Junior Research Fellow, Somerville College
Social and psychological aspects of group music-making; power, creativity, and authorship in musical performance; historical and contemporary orchestral practices.
Postdoctoral Research Fellow on the ERC-funded ‘Music and Late Medieval European Courtly Cultures’ research project (MALMECC)
Laura is a Fulford Junior Research Fellow at Somerville College, and a Postdoctoral Research Fellow on the ERC-funded ‘Music and Late Medieval European Courtly Cultures’ research project (MALMECC), focussing on ‘Gender, Lineage and Patterns of Patronage in Late Medieval France, England and the Low Countries’. She is researching the cultural patronage and courtly role/s of Queen Philippa of Hainault, looking particularly at the illuminated manuscripts associated with her and their unusual musical content. Her broader research interests centre on the relationships between art, ideas, power and politics in medieval Britain and Europe. She is also interested in medieval responses to antiquity and the Holy Land.
Prize Fellow in Music, Magdalen College
Giovanni's research interests span from Latin palaeography and codicology, medieval liturgy, music theory and notation, philology and reception history, manuscripts digital restoration and conservation techniques to ethnomusicology and dialectology.
Following the award of a Gerda Henkel Stiftung Fellowship, Giovanni will be Visiting Fellow at the Institut für Musikforschung of the University of Würzburg and at the Fakultät für Katholische Theologie for the University of Regensburg from April until November 2019.
Junior Research Fellow, St. Hilda's College, University of Oxford College Lecturer in Music, Merton College, University of Oxford
Gianturco Junior Research Fellow, Linacre College; Senior Lecturer in Music, Keble College