Programme
Monday 11 September
12.00: Registration
12.30 – 1.45 (2 papers)
Eric Clarke, ‘Being there: Performing and Hearing Interiority in Music’
Alistair M. C. Isaac and Luís Duarte d’Almeida, ‘Soaring Moments: Psychological Complexity in 18th-Century Opera’
2.00 – 3.15 (2 papers)
Marco Beghelli, ‘The aria “all’unisono” as a representation of negative interiority’
Adriana De Feo, ‘I rivali generosi by Apostolo Zeno (Venice, 1697)’
3.15: Coffee/tea break
3.30-4.45 (2 papers)
Valentina Anzani, ‘Singer influence on characterisation: the case of Antonio Bernacchi’
Anne Desler, ‘Between Theory and Practice: Layers of Identity in the Early Eighteenth-Century dramma per musica’
5.00 – 6.15 (2 papers)
Michael Spitzer, ‘The Wonder of Rameau’
Olivia Bloechl, ‘Confessing à la française’
7.30: Conference dinner (venue tba)
Tuesday 12 September
9.30 – 11.20 (3 papers)
Ellen Lockhart, ‘Aisthesis on the Stage’
Estelle Joubert, ‘Melodramatic Representations of Interiority and Autonomy in Lendardo und Blandine (1779)’
Keith Chapin, ‘Heroic and Sentimental Sublime Selves on Stage: Northern Germany 1730-1780’
11.20: Coffee/tea break
11.40-1.30 (3 papers)
Kordula Knaus, ‘Subjectivity and interiority in early opera buffa’
Matthew Head, ‘Psychology, Now and Then: The Conception and Reception of Mozart’s La finta giardiniera (1775)’
Suzanne Aspden, ‘The attentive audience’
1.30: Lunch
2.30-3.30: response: Stefano Castelvecchi & discussion