Kokoschka’s Doll / The Art of Love

Tuesday 10 April, 8.30pm, Holywell Music Room

Box office can be accessed here, at £20 (and £5 for students).

Tickets will have to be collected at the box office, Holywell Music Room, opening at 7.30pm. You can also reserve tickets via mail or by calling 07380 430004.

 

Pre-concert talk by Barry Millington at 8pm

The ensemble Counterpoise, with Sir John Tomlinson (bass) and Rozanna Madylus (mezzo-soprano) performs the following programme:

Kokoschka’s Doll by John Casken

For Alma Mahler, the painter Oskar Kokoschka (1886–1980) was just one of a string of eminent lovers, but for Kokoschka his brief affair with the widow of Mahler was to haunt the rest of his life. Shortly after the liaison ended, in 1914, Kokoschka commissioned a life-size doll of Alma, which he took to concerts and other public events, finally destroying it at a party to which all his friends were invited. Alma is featured in many of his paintings, not least the famous double portrait of the couple known as The Tempest or The Bride of the Wind.

The text of this new work, commissioned by Counterpoise, for singer/narrator and ensemble, is by John Casken and Barry Millington, based on poetic and epistolary texts of Kokoschka. It describes the affair as seen through the eyes of Kokoschka as a older man, evoking the passions unleashed by the affair, against the background of the physical and psychological traumas suffered by Kokoschka in the First World War. The score weaves the texts into a musical fabric that references fin-de-siècle Vienna (including the music of Wagner and Alma Mahler) while being of our own time.

 

The Art of Love: Alma Mahler’s Life and Music

Kokoschka’s Doll, which lasts just over half an hour, will be complemented by a sequence of music and text, featuring the work of Gustav and Alma Mahler, Wagner and Zemlinsky, under the title The Art of Love: Alma Mahler’s Life and Music. The latter includes songs by both Mahlers arranged for Counterpoise by David Matthews, incorporating an unpublished song by Alma previously unperformed in the UK, as well as a newly discovered Webern Trio movement for Counterpoise forces, with continuation by Matthews. The singer adopts the persona of Alma and delivers a text (by Barry Millington) telling the story of her affairs with Zemlinsky, Mahler and Kokoschka.