Tom Poster and Elena Urioste

Programme:

Mark Simpson - An Essay of Love (2020)
Benjamin Britten - Suite for Violin and Piano, op. 6
Cheryl Frances-Hoad - Bloom (2020)
Donald Grant - Bha là eile ann (There Was a Different Day) (2020)
Edvard Grieg Violin Sonata no. 2 in G major, op. 13
A selection of #UriPosteJukeBox arrangements, to be announced from the stage

Tickets £15, free for under 21s, book here. Music Faculty staff and students attend free - please email events@music.ox.ac.uk to obtain the discount code to use at checkout.

Tom Poster is a musician whose skills and passions extend well beyond the conventional role of the concert pianist. He has been described as “a marvel, [who] can play anything in any style” (The Herald), “mercurially brilliant” (The Strad), and as having “a beautiful tone that you can sink into like a pile of cushions” (BBC Music).

During the 2020 lockdown, his #UriPosteJukebox series with Elena Urioste - featuring Tom as pianist, arranger, multi-instrumentalist, writer, curator, backing dancer and snowman - brought a staggeringly diverse selection of music to audiences across the world through 88 daily online performances, for which the duo won the Royal Philharmonic Society’s Inspiration Award.

Tom is co-founder and artistic director of Kaleidoscope Chamber Collective, appointed Associate Ensemble at Wigmore Hall in 2020. With a flexible line-up featuring many of today’s most inspirational musicians, and an ardent commitment to diversity through its creative programming, Kaleidoscope broadcasts regularly on BBC Radio 3 and has recently been ensemble-in-residence at Cheltenham Festival, Kettle’s Yard and Ischia Music Festival. Its debut album for Chandos Records, of works by Beach, Barber and Price, will be released in 2021.

Tom has performed over forty concertos from Mozart to Ligeti with Aurora Orchestra, BBC Philharmonic, Bournemouth Symphony, China National Symphony, Hallé, Philharmonia, Royal Philharmonic and Scottish Chamber Orchestra, collaborating with conductors such as Vladimir Ashkenazy, Nicholas Collon, Robin Ticciati and Yan Pascal Tortelier. He has premiered solo, chamber and concertante works by many leading composers, made multiple appearances at the BBC Proms, and his exceptional versatility has put him in great demand at festivals internationally. Tom is pianist of the Aronowitz Ensemble (former BBC New Generation Artists) and Aronowitz Piano Trio, and he enjoys established recital partnerships with Elena Urioste, Guy Johnston, Alison Balsom, Matthew Rose and the Navarra Quartet.

Tom has recorded for BIS, Champs Hill, Chandos, Decca, Orchid and Warner Classics, and regularly features as soloist on film soundtracks, including the Oscar-nominated score for The Theory of Everything. He studied with Joan Havill at the Guildhall School of Music and Drama, and at King’s College, Cambridge. He won First Prize at the Scottish International Piano Competition 2007 and the keyboard section of the BBC Young Musician of the Year Competition in 2000.

Tom’s compositions and arrangements have been commissioned, performed and recorded by Alison Balsom, Matthew Rose, Yo-Yo Ma and Kathryn Stott. His chamber opera for puppets, The Depraved Appetite of Tarrare the Freak, received an acclaimed three-week run at Wilton’s Music Hall in 2017.

Elena Urioste is a musician, yogi, writer, and entrepreneur. As a violinist, Elena has given acclaimed performances as soloist with major orchestras throughout the world, including the Philadelphia, Cleveland, and Minnesota Orchestras; the New York, Los Angeles, and Buffalo Philharmonics; the Boston Pops; the Chicago, Boston, San Francisco, National, Atlanta, Baltimore, and Detroit Symphony Orchestras; the London Philharmonic, Hallé, Philharmonia, Royal Liverpool Philharmonic, Malaysia Philharmonic, and Chineke! Orchestras; and the BBC Symphony, Philharmonic, Scottish Symphony Orchestra, and National Orchestra of Wales, among others. She has performed regularly as a featured soloist in Carnegie Hall’s Stern Auditorium and has given recitals at Wigmore Hall, Carnegie Hall’s Weill Recital Hall, Kennedy Center, Konzerthaus Berlin, Sage Gateshead, Bayerischer Rundfunk Munich, and Mondavi Center. Elena is a former BBC New Generation Artist (2012-14) and has been featured on the covers of Strings, Symphony, and BBC Music magazines.

An avid chamber musician, Elena is the founder and Artistic Director of Chamber Music by the Sea, an annual festival on Maryland’s Eastern Shore. She has been a featured artist at the Marlboro, Ravinia, La Jolla, IMS Prussia Cove, Cheltenham, Bridgehampton, Moab, and Sarasota Music Festivals, and appears regularly in recital with pianist Tom Poster. Elena is co-director of Kaleidoscope Chamber Collective, appointed Associate Ensemble of Wigmore Hall in 2020.

Elena is a graduate of the Curtis Institute of Music and The Juilliard School. Notable teachers and mentors include Joseph Silverstein, David Cerone, Ida Kavafian, Pamela Frank, Claude Frank, and Ferenc Rados. The outstanding instruments being used by Elena are an Alessandro Gagliano violin, Naples (c.1706), and a Nicolas Kittel bow, both on generous extended loan from the private collection of Dr. Charles E. King through the Stradivari Society of Chicago.

Elena has being practicing yoga for over a decade and received her RYT-200 hour certification from the Kripalu Center in June 2019. She is the co-founder of Intermission, a program that combines music, movement, and mindfulness, aiming to make music-making a healthier, more holistic practice for students and professionals alike through yoga and meditation.

Born in Liverpool in 1988, Mark Simpson became the first ever winner of both the BBC Young Musician of the Year and BBC Proms/Guardian Young Composer of the Year competitions in 2006. He went on to read Music at St. Catherine’s College, Oxford, graduating with first class honours, and studied composition with Julian Anderson at the Guildhall School of Music & Drama before being selected for representation by the Young Classical Artists Trust. Simpson was a BBC New Generation Artist from 2012-2014. He received a Borletti-Butoni Trust Fellowship in 2014 and the Royal Philharmonic Society Composition Award in 2010, and is a Visiting Fellow of Lady Margaret Hall, Oxford.

Admired for her originality, fluency and professionalism, Cheryl Frances-Hoad has been composing to commission since she was fifteen. Classical tradition (she trained as a cellist and pianist at the Menuhin School before going on to Cambridge and King's College, London) along with diverse contemporary inspirations including literature, painting and dance, have contributed to a creative presence provocatively her own. "Intricate in argument, sometimes impassioned, sometimes mercurial, always compelling in its authority" (Robin Holloway, The Spectator), her output - widely premiered, broadcast and commercially recorded, reaching audiences from the Proms to outreach workshops - addresses all genres from opera, ballet and concerto to song, chamber and solo music.