Faculty of Music : All Pages

• Home
• Copyright
• Picture credits
• Privacy statement
• Accessibility statement
• Study with us
• Our research
• Contact Us
• News
• Giving
• Alumni
• Events
• Study with us
• About the Faculty
• Research
• People
• Facilities and Resources
• Resources
• Ensembles
• Undergraduate study
• Postgraduate study
• Our stories
• Projects
• Disciplines
• Academic staff
• Graduate Research Students
• Admin staff
• Honorary Doctors of Music
• Rooms
• Practice rooms
• Studios
• Holywell Music Room
• The Bate Collection
• Library
• Library Mac lab
• IT Information
• Professional ensembles
• Student ensembles
• Choral and organ awards
• Academic staff
• Undergraduates
• 19th-Century Musicians as Annotators
• DIAMM
• Electronic Music Practice & Research (EMPRes)
• Italian Opera Aria on the London Stage 1705-1801
• MALMECC
• The London Stage Project
• Transforming 19th-Century HIP
• Tudor Partbooks
• Past projects
• All Forthcoming Events
• All Past Events
• IT Engagement Survey – Nov 2018 follow up report
• Sibelius files
• Alumni News
• Oxford Musician
• Resources
• Joe Grain
• University professors and college fellows
• Research Staff
• College lecturers and Directors of Music
• Faculty members
• Emeriti
• Research students
• homepage v2 about us
• Sibelius Portal
• ORS Test
• Outreach
• Visiting
• Josie Dyster
• Nick Fowler
• Daniel Hulme
• Emanuela Vai
• Leander Wells
• Frances Wayman
• Staff information page
• Professor Michael Burden
• Professor Eric Clarke
• Professor Jonathan Cross, FBA
• Professor Samantha Sebastian Dieckmann
• Professor Steven Grahl
• Professor Daniel Grimley
• Professor Martyn Harry
• Professor Sarah Hill
• Professor Karl Kügle
• Professor Elizabeth Eva Leach, FBA
• Professor Christian Leitmeir
• Professor Gascia Ouzounian
• Professor Robert Quinney
• Professor Owen Rees
• Professor Jason Stanyek
• Professor Laura Tunbridge, FBA
• Studio 1
• Studio 2 (Electronic Music Lab)
• Studio 3 (Ensemble Recording Room)
• Equipment loans
• Sibelius software
• Athena SWAN
• Dr Ruth Elizabeth Bernatek
• Dr Leah Broad
• Dr Julia Craig-McFeely
• Dr Thomas Hyde
• Dr Alice Little
• Professor David Maw
• Dr Matilde Meireles
• Dr Reuben Phillips
• Dr Emanuela Vai, FRHS
• Quintin Beer
• Dr Alexandra Buckle
• The Revd Dr Matthew Cheung Salisbury
• Dr Timothy Coombes
• Dr Luke Lewis
• Benjamin Nicholas
• Dr Katharine Pardee
• Dr Cayenna Ponchione-Bailey
• Dr Benjamin Skipp
• Dr John Traill
• Dr Jonathan Williams
• Mark Williams
• Dr Bonnie Blackburn
• Professor Philip Ross Bullock
• Dr James Whitbourn
• Dr Roger Allen
• Dr Margaret Bent
• Dr Bojan Bujic
• Professor John Caldwell
• Professor Stephen Darlington
• Professor Laurence Dreyfus
• Professor Peter Franklin
• Professor Edward Higginbottom
• Dr Harry Johnstone
• Professor Reinhard Strohm
• Professor Susan Wollenberg
• Anhad Arora
• Matt Collins
• Graihagh Cordwell
• Mary Lucia Darst
• Judith Valerie Engel
• Leo Geyer
• Predrag Gosta
• George K. Haggett
• Moeko Hayashi
• Christopher Holman
• Carol Jones
• Piers Connor Kennedy
• Oxford University Music Society
• Marinu Leccia
• Ensemble Isis
• OxLOrk
• The Bate Players
• Contrapunctus
• Oxford Philharmonic Orchestra
• Nicholas Moroz
• John Pierce O’Reilly
• Annabelle Page
• Dylan C. Price
• Caetano Maschio Santos
• Samuel Teague
• Professor Suzanne Aspden
• Public seminars
• Italian Opera Aria on the London Stage 1705-1801
• Olivia Thornton
• Elizabeth Eva Leach awarded the Roland Jackson Award
• Dr Emanuela Vai awarded prestigious prize by the Italian Embassy
• Progressive Rock Conference proposed for August 2022
• Professor Elizabeth Eva Leach becomes co-editor of Early Music
• Jennifer Walshe appointed as new Professor of Composition
• Castalian String Quartet named as the inaugural Hans Keller String Quartet in Residence at the Oxford University Faculty of Music
• Contrapunctus and Professor Owen Rees nominated for Gramophone Award
• Graduate Research Colloquium: Jacob Mallinson Bird
• Graduate Research Colloquium: Dr Benedict Taylor
• Graduate Research Colloquium: Claudio Vellutini (University of British Columbia)
• Graduate Research Colloquium: Nicholas Baragwanath (University of Nottingham)
• Graduate Research Colloquium: Ruth Elizabeth Bernatek (University of Oxford)
• Castalian String Quartet: Mozart, Elgar, Sibelius
• Castalian String Quartet
• Seminar in Medieval and Renaissance Music | John Milsom (Liverpool Hope University) and Jessie Ann Owens (University of California at Davis)
• Oxford Musician Issue 11
• Nicola Brown
• Castalian String Quartet
• All Souls Seminars in Medieval and Renaissance Music
• Oxford Seminar in Music Theory & Analysis (OSiMTA)
• Betts Centre for Organ Studies
• OSPoM Seminar: Dr Jonna Vuoskoski
• OSiMTA: Isabel Mundry (Zurich University of the Arts)
• OSiMTA: Lindelwa Dalamba (University of the Witwatersrand)
• Album co-produced by Dr Thomas Hodgson shortlisted for the RMA Tippett Medal
• Alumnus Antony Pitts Releases New Disc with Hyperion Records
• International Women's Day Lecture-Recital: 'Florence Price, Black Renaissance Woman' with Dr Samantha Ege
• Dr Leah Broad Presents Radio 3 Documentary on Marginalised 20th-century Women Composers
• Castalian String Quartet: Composition Workshop
• James Fellows
• Erika Cristina Vega Gonzalez
• Dr Andrew Frampton
• Tom Poster and Elena Urioste
• Dr Leah Broad reviews Sibelius Symphonies on BBC Radio 3's Record Review
• Alumnus Ryan Wigglesworth named as BBC SSO's next chief conductor
• Piano and Chamber Music Workshop with Tom Poster
• Vernacular Philosophies of Music
• Volume edited by Professor Michael Burden receives the Claire Brook Award
• Mark Simpson and the Castalian String Quartet
• New Book on the Medieval Dominicans and Music
• Dr Joseph Mason
• Vacancy: Departmental Lecturer in Music
• Theremin Workshop with Lydia Kavina
• Katie Melua Presents The Silk Roads Project
• Chamber Music from the African Continent Diaspora
• Rameau: Castor Et Pollux (1737)
• Rosalind Ventris to perform in the Wigmore Hall 2022/23 Season
• Alumna Anna Lapwood named Associate Artist of the Royal Albert Hall
• Katie Melua and the BBC Concert Orchestra to perform original work inspired by Oxford research
• Composer Speaks with Dorothy Ker
• The Art of Noises VII: Resonance and Decay
• Fashion, fabrics and fishtails: Dr Leah Broad discusses concert dress for women classical performers
• The Prince Regent's Band
• Castalian String Quartet Masterclass
• Alumna Chloe Rooke featured in ICCR documentary
• Stephanie Shon
• Festival organised by music alumni returns to Oxford
• Digital Delius
• St John's College Kendrew Songwriting Prize open for submission
• DPhil Music student Caetano Santos wins BFE 2022 Student Paper Prize
• New Humanities Network Examines Early Cultural Encounters between Britain and the Soviet Union
• Increasing access
• What we do
• Current students
• College Tutors and Directors of Music
• Doctoral Supervisors
• Performance
• Performance in the curriculum
• Composition
• Course Books
• Upcoming Performances
• Balliol College
• Christ Church
• Corpus Christi College
• Exeter College
• Hertford College
• Jesus College
• Keble College
• Lady Margaret Hall
• Lincoln College
• Magdalen College
• Mansfield College
• Merton College
• New College
• Oriel College
• Pembroke College
• The Queen's College
• Regent's Park College
• St Anne's College
• St Catherine's College
• St Edmund Hall
• St Hilda's College
• St Hugh's College
• St John's College
• St Peter's College
• Somerville College
• Trinity College
• University College
• Wadham College
• Worcester College
• Permanent Faculty Postholders
• Other Associate Faculty
• Alumnus's Choir Corvus Consort releases debut album on Chandos Records
• Dr Oliver Chandler
• Castalian String Quartet: Death and the Maiden
• Dr Esther Cavett
• Dr Maria Joao Rodrigues de Araujo
• Schütz: Musikalische Exequien
• Sadler Partbooks Research Day
• Conferences
• Oxford Musician Issue 12
• Graduate Research Colloquium: Professor Neal Peres Da Costa (Sydney Conservatory)
• Graduate Research Colloquium: Dr. Brianne Dolce (University of Oxford)
• Graduate Research Colloquium: Prof. Charles Spence (University of Oxford, Department of Experimental Psychology)
• Graduate Research Colloquium: Prof. Reinhard Strohm (University of Oxford)
• Graduate Research Colloquium: Prof. Gerald Resch (University of Music and Performing Arts, Vienna)
• Graduate Research Colloquium: Prof. Jane Ginsborg (Royal Northern College of Music)
• Graduate Research Colloquium: Prof. Walter Frisch (Columbia University)
• Graduate Research Colloquium: Dr Leah Broad (University of Oxford)
• Graduate Research Colloquium: Dr. Joseph Mason
• Graduate Research Colloquium: Prof. Halina Goldberg (Indiana University-Bloomington)
• Graduate Research Colloquium: Kate Molleson in conversation with Prof. Jonathan Cross
• Graduate Research Colloquium: Dr Matthew Cheung Salisbury (University of Oxford)
• Graduate Research Colloquium: Professor Eric Clarke
• Graduate Research Colloquium: Leverhulme Lecture with Professor Emanuele Senici (Sapienza Università di Roma)
• Graduate Student Colloquium: Dylan Price, Marinu Leccia, Judith Valerie Engel
• Graduate Research Colloquium: Dr. Elisabeth Giselbrecht (King's College London)
• Graduate Research Colloquium: Professor Ian Pace (City, University of London)
• Graduate Research Colloquium: Professor Andrew Kirkman (Peyton and Barber Professor of Music, University of Birmingham)
• Graduate Research Colloquium: Professor Christopher Chowrimootoo (University of Notre Dame)
• Graduate Research Colloquium: Dr Ben Earle (University of Birmingham)
• Graduate Research Colloquium: Prof. Laura Tunbridge, Prof. Jonathan Cross with Prof. Sarah Hill (University of Oxford)
• Graduate Research Colloquium: Dr Ruth Bernatek (University of Oxford: SONCITIES)
• Graduate Research Colloquium: Dr Maria Stratigou (University of Sheffield)
• Graduate Student Colloquium: Bethan Winter and Michael Koenig (University of Oxford)
• New Chamber Opera at the Tete a Tete: The Opera Festival 2022
• The Queen's College Choir and Contrapunctus Perform at Prestigious AMUZ Laus Polyphoniae Festival in Antwerp
• Alumni Profile: Charlie Lovell-Jones (Christ Church, 2017)
• Bournemouth Symphony Orchestra announces alumnus Tom Fetherstonhaugh as Assistant Conductor
• Professor Jason Stanyek Writes Liner Notes For New Recording of Tania León’s Solo Piano Music
• OSiMTA: George Haggett (University of Oxford)
• Castalian String Quartet
• All Souls Seminar in Medieval and Renaissance Music: Laurie Stras (University of Southampton)
• Ensemble ISIS conducted by Dr John Traill
• OSiMTA: Dr Frankie Perry (Independent Scholar)
• The Oxford Seminar in Music Theory and Analysis: Professor Joe Bennett (Berklee College, Boston)
• The Oxford Seminar in Music Theory and Analysis: Professor Kofi Agawu (City University of New York)
• All Souls Seminar in Medieval and Renaissance Music: Konstantin Voigt (University of Freiburg)
• All Souls Seminar in Medieval and Renaissance Music: David Burn (University of Leuven)
• MSt Composers and Performers Concert
• All Souls Seminar in Medieval and Renaissance Music: Julia Craig-McFeely (DIAMM, University of Oxford)
• All Souls Seminar in Medieval and Renaissance Music: Martin Kirnbauer and the project team Vicentino21
• Castalian String Quartet: Lunchtime Concert
• Castalian String Quartet
• All Souls Seminar in Medieval and Renaissance Music: Emily Zazulia (University of California at Berkeley)
• Castalian String Quartet
• Le Concert de l’Hostel Dieu
• Events Brochure: Michaelmas Term 2022
• Professor Martyn Harry 50-50 CD launch / French Television Broadcast
• OSPoM: Dr Peter Harrison, University of Cambridge
• OSPoM: Professor Eldritch Priest, Simon Fraser University
• Oxford Seminar in the Psychology of Music: Dr Kelly Jakubowski, Durham University
• Dr Alexandre Cerveux
• Speaks with Jon Leidecker, aka Wobbly
• < speaks > with SAMMUS (Enongo Lumumba-Kasongo)
• Drought, a new one-act opera by alumna composer Anna Appleby and poet Niall Campbell
• Solomon Shiu
• Ajmal Hussain Mughal
• Graduate Open Day
• Betty Zhaoyi Yan
• Jake Landau
• Alumnus David Stoll (Worcester College, 1967) Publishes First Novel Inspired by Musical Composition Process
• (Re)Making Radio with Shortwave Collective
• Theremin Workshop Presented by Lydia Kavina
• Research Groups
• The function of music in the acquisition of knowledge according to medieval Latin, Hebrew, and Arabic philosophical texts (FuMAK)
• Leverhulme Early Career Fellowships at the Faculty of Music, University of Oxford
• Alumnus writer and broadcaster Roger Nichols publishes latest book 'From Berlioz to Boulez'
• Viennese Modernism and its Legacies
• String trios by Leo Weiner, Richard Strauss and Egon Wellesz
• Works for Viola, Cello and Piano by Rebecca Clarke
• Ensemble Isis Conducted by Dr John Traill
• Lisa Hall
• Claire Booth - 'Reinterpretation and Performance' Vocal Masterclass
• Alasdair Beatson Workshop with The Bate Collection
• Libby Burgess Masterclass
• Emma Kavanagh
• Choral and Organ Awards Open Day
• Rethinking Brahms: New Publication co-edited by Dr Reuben Phillips
• Los Angeles Philharmonic to Perform the World Premiere of Work by DPhil Music Student Erika Vega
• Music Alumnus Julian Jacobson Performs Marathon Concerts of the Complete 32 Beethoven Sonatas
• Ralph Leavis Scholarship/Bursary for the MSt in Music
• Events Brochure Hilary 2023
• Hitler's Jazz Band: DPhil Student Leo Geyer Featured in Documentary on Sky Arts
• A Social and Sonic History of the String Quartet
• Professor Jennifer Walshe
• The Oxford Seminar in the Psychology of Music (OSPoM)
• Oxford Seminar in the Psychology of Music: Manuel Anglada-Tort (University of Oxford)
• Oxford Seminar in the Psychology of Music: Freya Bailes (University of Leeds)
• Dr Jonathan Packham
• In Good Hands: The Making of a Modern Conductor
• Analysing Britten: Hans Keller’s Functional Analysis
• Castalian String Quartet in Concert with the St Anne’s Camerata
• Research Groups
• Dr Guy Newbury
• Director of Performance Rosalind Ventris releases Debut Solo Album of Works by Women Composers
• Anoushka Shankar in conversation with Professor Suzanne Aspden
• Masterclass with the Veles Ensemble
• Wolfson Foundation Grant Ushers in New Phase for Oxford's Unique Collection of Musical Instruments
• Professor Laura Tunbridge Contributes to BBC Radio 4 Series 'In Time to the Music'
• Stephanie Franklin
• < speaks > with Simon Steen-Andersen
• Faculty of Music Alumna Chloe Rooke Conducts the BBC Concert Orchestra
• Quartet: How Four Women Changed the Musical World
• Traces: the New Album by SANSARA, Directed by Alumnus Tom Herring
• Carnatic Music Lecture-Demonstration and Performance with Dr. Mysore Manjunath
• Faculty Alumnus Orhan Memed Publishes Musica Britannica Volume on the Works of Benjamin Cosyn
• Alumnus Jacques Cohen premieres his work Creation in London in March
• Sampling the City: Shiva Feshareki Live at the Sheldonian
• Work by Alumnus Professor Robert Saxton to be premiered by the English Symphony Orchestra at the Sheldonian Theatre
• Alumnus Gregory Rose to have his piece premiered by George Caird and the Jupiter Orchestra at the Sheldonian Theatre
• Dr Brianne Dolce on Interdisciplinary Approaches to Medieval Studies, Stromae, and Finding Your Scholarly Voice
• Music in Twentieth-Century Oxford: New Directions
• New research shows how cultural transmission shapes the evolution of music
• The Oxford Seminar in Music Theory and Analysis: AI, neural networks and style appropriation
• Yukting Tang
• College Lecturer in Music Dr Alice Barron releases debut album with Ole André Farstad
• Dr Robert Laidlow's 'Silicon' to be premiered by the BBC Philharmonic
• Dr Alice Barron
• < speaks > with Kit Mackintosh
• 'All the world's a stage' composed by alumnus David Stoll to be premiered in London in June
• Professor Sarah Hill elected as Fellow of the Learned Society of Wales
• < speaks > with Matana Roberts
• DPhil student Judith Valerie Engel visits India to give a series of Lecture Recitals
• The Bate Collective side-by-side with Le Concert de l’Hostel Dieu
• Orchestra of St Johns: Carols and St Nicholas - SJE Arts
• Orchestra of St Johns: Tchaikovsky and Strauss - SJE Arts
• Orchestra of St Johns: Mozartiana - SJE Arts
• Orchestra of St Johns: Handel's Messiah - SJE Arts
• Art of Noises VIII - EMPRes
• Oxford Seminar in the Psychology of Music: Eleanor Tingle
• Undergraduate Open Days 2023
• Undergraduate Open Days 2023
• Virtuosi: A Recital in collaboration with the Faculty of Music
• Alumnus Matthew Mills Releases Album of the Complete Piano Works of Alumnus Bernard Hughes
• The Irrepressibles
• Diana Rodriguez-Perez
• Jonathan Cross Appointed Director of Ertegun Humanities Graduate Programme
• The Dancing Master: Leveret
• The Dancing Master: The Oakstone Trio
• The Dancing Master: Beginner Playford Dance Workshop
• The Dancing Master: Beginner Playford Dance Workshop
• The Dancing Master: Chris Green's 'Switched On Playford'
• The Dancing Master: 'Lifting Tunes off the Page' with the Oakstone Trio
• The Dancing Master's Ball
• Smorgaschord Festival 2023: Ligeti Day
• New research shows how studying the humanities can benefit young people’s future careers and wider society
• Dr Joseph Mason and Dr Meghan Quinlan discuss the singer-songwriters of thirteenth-century France
• Oxford International Song Festival
• Queen's College Chapel - A Chapel Tour led by Professor Owen Rees
• The Choir of the Queen's College - A 400th Birthday Party
• '21st Century Relaxation Tape' with Professor Jennifer Walshe
• Composition Workshop with Jonathan Eyers and Thomas Eeckhout
• Goostly Psalmes
• Dover Beach: with the Castalian String Quartet and Julien Van Mellaerts
• Tableaux Vivants with Laura Tunbridge, James Gilchrist, Anna Tilbrook
• The language of symmetry in music
• A twelve-tone repertory for guitar: Julian Bream and the British serialists, 1956–1983
• Alumnus Tom Fetherstonhaugh continues as BSO Assistant Conductor for another season
• British Academy (BA) Postdoctoral Fellowship scheme
• DPhil Music student Yvonne Ile wins the 2023 Kendrew Songwriting Competition at St John's College
• The Faculty of Music at the BBC Proms
• Behzod Abduraimov – SJE Arts International Piano Series
• Jean-Efflam Bavouzet – SJE Arts International Piano Series
• Sir Stephen Hough – SJE Arts International Piano Series
• Alasdair Beatson & Viv McLean, piano 4 hands – SJE Arts International Piano Series
• Lauren Zhang – SJE Arts International Piano Series
• Vadym Kholodenko, piano, & Alena Baeva, violin – SJE Arts International Piano Series
• Phoenix Piano Trio with Gareth Brynmor John – SJE Arts International Piano Series
• Elisabeth Brauss – SJE Arts International Piano Series
• Mishka Rushdie Momen – SJE Arts International Piano Series
• Music at Oxford – Notos Quartett
• Heavy Pop presents Sleeper Unplugged – An Acoustic Evening
• An Intimate Acoustic Evening with Ward Thomas
• H Natural Xmas in Oxford – night one
• H Natural Xmas in Oxford – night two
• Thea Gilmore
• Catrin Finch and Aoife Ní Bhriain
• Professor Jonathan Cross elected as Fellow of the British Academy
• Alumna Kristina Arakelyan commissioned for the BBC Proms
• Jessica Edgar
• Bard Music Festival receives stellar reviews after Music academic’s role as scholar-in-residence
• Building Bridges: Translating Refugee Narratives for Public Audiences with Arts-based Media
• All Souls Seminar in Medieval and Renaissance Music: Sam Barrett (University of Cambridge)
• All Souls Seminar in Medieval and Renaissance Music: Jane Bernstein (Tufts University)
• All Souls Seminar in Medieval and Renaissance Music: Peter Lefferts (University of Nebraska)
• All Souls Seminar in Medieval and Renaissance Music: Susan Forscher Weiss (Peabody Institute and Johns Hopkins University)
• All Souls Seminar in Medieval and Renaissance Music: Johanna-Pauline Thöne (University of Oslo)
• All Souls Seminar in Medieval and Renaissance Music: Barbara Haggh-Huglo (University of Maryland at College Park)
• Equality and Diversity at Oxford
• Oxford Musician - Issue 13
• RUSSIA: TODAY
• Dr Jacob Downs
• OCM presents: Zubin Kanga - Answer Machine Tape, 1987
• Seminar in Ethnomusicology and Sound Studies: Nomi Dave (University of Virginia)
• Seminar in Ethnomusicology and Sound Studies: Noel Lobley (University of Virginia)
• Seminar in Ethnomusicology and Sound Studies: Lauren Redhead, Tom Attah and Byron Dueck (with responses from Alice Hill and Oliver Chandler)
• Rebecca Clarey
• Graduate Research Colloquium: Karnatic violinist Sumanth Manjunath in conversation with Dr Alice Barron
• Graduate Research Colloquium: Dr Steven Gamble (University of Bristol)
• Graduate Research Colloquium: Dr Reuben Phillips (University of Oxford)
• Graduate Research Colloquium: Dr Matilde Meireles (University of Oxford)
• Seminar in Ethnomusicology and Sound Studies: Speaker TBC
• Seminar in Ethnomusicology and Sound Studies: Peter McMurray (University of Cambridge)
• Music at Oxford presents: Europa Galante, Nardus Williams, Fabio Biondi - Nature's Voice
• The Oxford Seminar in Music Theory and Analysis: Robert Laidlow (Jesus College, Oxford)
• The Oxford Seminar in Music Theory and Analysis: Megan Lavengood (George Mason University)
• Oxford Seminar in the Psychology of Music: Alexander Refsum Jensenius (University of Oslo and RITMO)
• Oxford Seminar in the Psychology of Music: Mats Küssner (Humboldt University, Berlin)
• Oxford Seminar in the Psychology of Music: Daniel Müllensiefen
• Oxford Seminar in the Psychology of Music: Katie Rose Sanfilippo (City University of London)
• Oxford Seminar in the Psychology of Music
• New Music: Christian Mason (Ensemble Isis)
• Castalian String Quartet: Mozart, Turnage & Brahms
• Steven Isserlis (cello), Connie Shih (piano)
• Trinity Recitals: Jennifer Pike (violin) and Martin Roscoe (piano)
• Schola Cantorum of Oxford
• Seminar in Ethnomusicology and Sound Studies
• The Oxford Seminar in Music Theory and Analysis: Gurminder Kaur Bhogal (Wellesley College)
• The Oxford Seminar in Music Theory and Analysis: Marina Sudo (KU Leuven)
• The Oxford Seminar in Music Theory and Analysis: Emma Dillon (King’s College London)
• The Oxford Seminar in Music Theory and Analysis: Robert Hasegawa (McGill University)
• < speaks > with Du Yun
• The Glass Eye
• Oxford International Song Festival Mastercourse Day 1
• Oxford International Song Festival Mastercourse Day 2
• Oxford International Song Festival: Mastercourse Day 3
• Oxford International Song Festival: Mastercourse day 4
• Oxford International Song Festival: Mastercourse day 5
• Mastercourse: concert
• OPHELIA: in her own words
• Sam Mitchell: The Piano in the 21st Century
• < speaks > with Christian Mason
• Alumna Dr. Gwendolen von Einsiedel announced as new Dr. Tommy Comeaux Endowed Chair in Traditional Music
• Oxford Mosaic Privacy Statement
• Oxford Mosaic Accessibility Statement
• Yvonne Ile
• Contrapunctus: Rome 1575 - Palestrina & Victoria
• Serial Stravinsky Dances: Choreomusical Discoveries with Balanchine
• Magdalen College: Opening Organ Recital - Martin Baker
• Magdalen College: Guest Organ Recital - Steven Grahl
• Magdalen College: Guest Organ Recital - Margaret Phillips
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Magdalen College: Bach Organ Recitals (Alexander Pott)
• Tango
• Queen's College Organ Recitals: Anthony Gritten – Royal Academy of Music
• Queen's College Organ Recitals: Tim Hone – York Minster
• Queen's College Organ Recitals: Francois Cloete – Merton College, Oxford
• Queen's College Organ Recitals: Luke Mitchell – the Queen’s College, Oxford
• Queen's College Organ Recitals: Luke Mitchell – the Queen’s College, Oxford
• Queen's College Organ Recitals: Steven Grahl – Christ Church, Oxford
• Queen's College Organ Recitals: Robert Quinney – New College, Oxford
• Queen's College Organ Recitals: Peter Wright – Concert recitalist
• Benjamin Skipp
• Lorane Prevost
• Graduate Open Day 2023
• Emma Arthur
• Philip Wetzler
• Will Dawes
• Kaleidoscope Chamber Collective
• Kaleidoscope Chamber Collective - Pre-Concert Recital
• Discussion Group: Alan Bush, the Soviet Union and Music in Britain in the 1936
• Radical Music in Interwar Britain: Workshop Performance
• TORCH and DiSc Video Games and Academia panel series: Music and Sound in Games
• Inaugural Oxford Colloquium in Linguistics and Philosophy - Music Semantics
• Max's Lunch Series - Salamone Rossi: A Jewish Composer in Renaissance Italy
• Merton College Organ Recitals: David Maw
• Merton College Organ Recitals: Peter Dyke
• Merton College Organ Recitals: Edward Byrne
• Merton College Organ Recitals: Richard Moore
• Merton College Organ Recitals: Benjamin Nicholas
• Merton College Organ Recitals: Owen Chan
• Merton College Organ Recitals: Luke Mitchell
• Sacred and Profane – Oxford Pro Musica Singers
• Daniel Riley
• Christos Yiallouros
• The Antigua and Barbuda Youth Symphony Orchestra in concert with the musicians of Christ Church Cathedral School
• Byrd in Oxford - Evensong at Magdalen College Chapel
• Byrd in Oxford - Byrd 400: A Celebration at Christ Church, Oxford
• Byrd in Oxford - Evensong at Christ Church, Oxford
• Byrd in Oxford - Evensong at Merton College Chapel, Oxford
• Byrd in Oxford - Evensong at New College Chapel, Oxford
• Byrd in Oxford - Choral Eucharist at University Church of St Mary the Virgin
• Byrd in Oxford - Organ and Keyboard Recital (Robert Quinney & Dónal McCann)
• Byrd in Oxford - Evensong in The Chapel of The Queen's College
• Dr Maria Razumovskaya
• Student startup 'SoulChord' wins the 2023 StEP Ignite Entrepreneurship Programme
• Clare Salaman
• Caroline Lesemann-Elliott awarded the Albi Rosenthal Visiting Fellowship in Music at the Bodleian Library
• Oxford Byrd Mini-Festival
• Dr Maria Razumovskaya announced as the Faculty's new Director of Musical Performance and Performance Studies
• Byrd in Oxford - Recital by Desmond Hunter, University of Ulster, New College Chapel
• Byrd in Oxford - Contrapunctus: Byrd - A Song for All Seasons
• Hildegard Transfigured
• Bach Goldberg Variations: The Teyber Trio
• In Conversation with Mark Anderson and Selina Nwulu
• OCM presents - Warning Notes by Mark Anderson
• Handel: Messiah - Choir of The Queen's College, Oxford
• Red Lipstick presents: ‘What We Have’
• Mansfield College Presents: Mansfieldmas
• Oxford Chamber Orchestra Concert with James Longstaffe
• Oxford University Orchestra Michaelmas Term Concert with Toby Purser
• Strauss, Krása and Juon with the Lumière Ensemble Oxford
• Golden Coral Desert: Garden Centre
• Versatility: What performers of classical music can learn from other musical genres with Tamar Halperin
• “The Animal in You” a film by Andreas Scholl
• Andreas Scholl presents - “Progress in singing”
• Contrapunctus: A Song for all Seasons
• Faculty of Music presents: Christ Church Cathedral Lunchtime Recital Series
• 'How to Prepare for Just About Anything’ with Dr Diane Baxter
• Attacca Quartet - Redefining the String Quartet
• Georgie Moore
• Alumna Alexandra Skevington is published by Trinity College, London
• Lord Crewe Career Development Fellow Emma Kavanagh elected to Associate Fellow of the Royal Historical Society
• Leverhulme Early Career Fellowships at the Faculty of Music
• Faculty of Music presents: Christ Church Cathedral Lunchtime Recital Series
• Nigel Kennedy: Bach Now!
• "Speaks" with Matmos
• The Harp: Uncovered
• Women Composers & Song
• Seminar in Ethnomusicology and Sound Studies: The Planetization of Machine Listening
• Oxford Baroque Players: Telemann, Bach, Handel
• Recovering Dido
• Tchaikovsky Piano Trio
• Oxford Philharmonic Orchestra presents: Rachmaninov Two
• Oxford Philharmonic Orchestra Presents: Beethoven Pastoral
• Oxford Philharmonic Orchestra presents: Messiah
• Janine Jansen and the Oxford Philharmonic Orchestra
• Suna Alan & Friends
• Wayang Kulit: Ki Bagus Baghaskoro with the Oxford Gamelan Society
• Francis Bertschinger
• Elaine Mitchener: Ensemble Isis
• Opportunities
• Memorial evensong and recital: a tribute to the late Clare Salaman
• 'Painting - Sound + Contemporary Rhythms' - Andrew Pierre Hart | Talks in Contemporary Art
• Daniel Mollenkamp
• < speaks > with Christian Mason: re-broadcast
• Faculty of Music presents: Christ Church Cathedral Lunchtime Recital Series
• Dr Min Yen Ong
• Juan Carlos Méndez Álvarez
• Faculty of Music Presents: Stars and Waves
• Laura Howorth
• Faculty of Music presents: Christ Church Cathedral Lunchtime Recital Series
• Faculty of Music presents: Christ Church Cathedral Lunchtime Recital Series
• Wolfson College Music Society: Piano recital by Rakhat-Bi Abdyssagin
• Jim Hickson