Manhattan Sounds: music in the films of Woody Allen (under contract, Routledge)
‘Reading Music Visually: Japanese cultural representations of sound, music and spectacle’ (forthcoming).
‘Parody, Comedy, Subversion: Music in Japanese Comedy Cinema’ in Palgrave Handbook of Music in Comedy Cinema eds. Emilio Audissino and Emile Wennekes (London: Palgrave Macmillan, 2023), 465-480.
‘Music and Comedy in the Films of Woody Allen’ in Palgrave Handbook of Music in Comedy Cinema eds. Emilio Audissino and Emile Wennekes (London: Palgrave Macmillan, 2023), 729-744.
‘Japanese Cinematic Music’ in The Palgrave Urban Literary Studies ed. Jeremy Tambling (Basingstoke: Palgrave, 2022), 1036-42.
‘Recomposing the Past: Representations of Early Music on Stage and Screen’ in Music & Letters 100:1 (2019), 38-52.
‘Cozarinsky’s La Guerre d’un seul homme and Musical Categories: (Re)-Framing Pfitzner, Strauss, Schreker, and Schoenberg Cinematically’ in Music, Modern Culture and the Critical Ear eds. Nicholas Attfield and Ben Winters (New York: Routledge, 2017), 139-64.
‘‘Sounding’ Japanese: Traditions of Music in Japanese Cinema’ in The Routledge Companion to Screen Music and Sound eds. Miguel Mera, Ron Sadoff, Ben Winters (New York: Routledge, 2017), 428-39.
‘Looking and Listening: Music and Sound as Visual Trope in Ukiyo-e’ in Routledge Companion to Music and Visual Culture eds. Anne Leonard and Tim Shephard (New York: Routledge, 2014), 120-27.
‘‘Children’s Film Music’, in American Music and Culture ed. Jacqueline Edmondson (Santa Barbara, California: Greenwood, 2013) 197-201.
‘Music and Fantasy Types in Tim Burton's Edward Scissorhands' in Music of Fantasy Cinema ed. Janet Halfyard (Sheffield: Equinox Press, 2012), 132-47.
‘The Development of Film Musicology', in The Continuum Companion to Sound in Film ed. Graeme Harper (New York: Continuum Press, 2009), 725-38.
‘Women through music in Golden Age Hollywood Cinema', in The Continuum Companion to Sound in Film ed. Graeme Harper (New York: Continuum Press, 2009), 375-87.
‘Desiring the diegesis: music and self-seduction in the films of Wong Kar-Wai', in Cinemusic? Constructing the Film Score, Eds. David Cooper, Christopher Fox, Ian Sapiro (Newcastle: Cambridge Scholar Press, 2008), 127-140.
Reviews:
‘Music and the sound image in Japan’, review of The Culture of the Sound Image in Prewar Japan
eds. ‘Michael Raine and Johan Nordström (Amsterdam: Amsterdam University Press, 2020), in MSMI 17:1 (2023), 71-5.
Review article of The Cambridge Companion to Film Music ed. Mervyn Cooke and Fiona Ford (Cambridge University Press, 2016), in H-Music: H-Commons Network Music in History (2019).
‘Film Music', review of A History of Film Music, Mervyn Cooke (Oxford University Press: 2008), in Music & Letters 91:1 (2010), 135-6.
‘Music in the movies', review of Beyond the Soundtrack: representing music in cinema ed. Daniel Goldmark, Lawrence Kramer and Richard Leppert (University of California Press: 2007) in Twentieth Century Music 6:1 (2010), 120-4.
‘Music and media', review of Music, Meaning and Media ed. Erkki Pekkilä, David Neumeyer, Richard Littlefield (International Semiotics Institute: 2006), in Music, Sound, and the Moving Image, in Music, Sound, and the Moving Image 3:1 (Spring 2009), 151-55.
‘Changing Tunes', review article of Changing Tunes: the use of pre-existing music in film ed. Phil Powrie and Robynn Stilwell (Ashgate: 2006), Music, Sound, and the Moving Image, in Music, Sound and the Moving Image 1:2 (Autumn 2007), 83-89.
‘Stravinsky', review of The Cambridge Companion to Stravinsky ed. Jonathan Cross (Cambridge University Press: 2003) British Journal of Aesthetics 44:4 (October 2004), 447-9.
‘Hanslick on the Musically Beautiful', review of Geoffrey Payzant's Hanslick on the Musically Beautiful: Sixteen Lectures on the Musical Aesthetics of Eduard Hanslick (Cybereditions: 2002), British Journal of Aesthetics 44:2 (April 2004), 204-5.
