|
|
|
In press
|
‘Supporting the mentee: working at the sharp edge’, in A practical guide for mentoring music teachers, Ed. S. Houni and M.Wolf, Routledge. (6000 words).
|
|
2022
|
‘Desire, gratification, and the moment: a music-analytical, psychological, and autobiographical enquiry into the role of repetition in the music of Howard Skempton’, Interdisciplinary Science Reviews doi.org/10.1080/03080188.2022.2035100
|
|
2021
|
‘Voices from Southwark: Reflections on a collaborative music teaching project in London in the age of Covid-1’, (co-authored with Javier Rivas, Rhys Sparey, Jonathan Davies, Caroline Gleason-Mercier, Sarah Hughes, & Susannah Knights), International Journal of Community Music 14/2-3, 169-189.
|
|
2019
|
Howard Skempton: Conversations and Reflections on Music, Boydell & Brewer, 90,000 words (co-edited with Matthew Head, and with personal contribution of approximately 40,000 words).
|
|
2017
|
Review of Edward Klorman Mozart’s Music of Friends: Social interplay in the chamber works (Cambridge UP, 2016), Eighteenth-Century Music, 14/2, 285-290 (co-authored with Matthew Head).
|
|
2015
|
‘Celebrating Arnold Whittall’s 80th birthday: Music Analysis Past and Future’. Colloquium report, Society for Music Analysis Newsletter, 21-27.
|
|
1990
|
‘A Conspectus of Mozart's Music' [on Mozart's stylistic development], in The Mozart Compendium, Ed. H.C. Robbins Landon (Thames & Hudson), 206-236.
|
|
1989
|
Mozart's Variations Reconsidered (Garland Press).
|
|
1989
|
Review article of Ian Bent, Musical Analysis (Macmillan, 1987), Journal of the Royal Musical Association, 115/1, 111-122.
|
|
1988
|
'Music Analysis Conferenced in Context', The Musical Times, September, 457-58.
|
|
1988
|
Conference report on the Tenth Annual Meeting of the Society for Music Theory (Rochester, New York), Music Analysis, 7/2, 239-242.
|
|
1988
|
'Schenker's Analysis of the Eroica Finale', Theory and Practice 11, 43-52.
|
|
1988
|
'Mozart's 'Haydn' Quartets Composing Up and Down Without Rules', Journal of The Royal Musical Association, 113/1, 59-80.
|
|
1988
|
'Mozart's Codas', Music Analysis, 7/1, 31-53.
|
|
1987
|
Review of Heinrich Koch, Introductory Essay on Composition trans. Nancy Baker (Yale UP, 1983), Music Analysis, 6/1-2, 196-202.
|
|
1985
|
Preface to the Eulenberg Edition of Elgar's Variations on an Original Theme Op. 36.
|
|
1983
|
'Explaining Meyer', review-article, Music Analysis, 2/2, 209-20.
|
