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In press
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‘Supporting the mentee: working at the sharp edge’, in A practical guide for mentoring music teachers, Ed. S. Houni and M.Wolf, Routledge. (6000 words).
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2022
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‘Desire, gratification, and the moment: a music-analytical, psychological, and autobiographical enquiry into the role of repetition in the music of Howard Skempton’, Interdisciplinary Science Reviews doi.org/10.1080/03080188.2022.2035100
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2021
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‘Voices from Southwark: Reflections on a collaborative music teaching project in London in the age of Covid-1’, (co-authored with Javier Rivas, Rhys Sparey, Jonathan Davies, Caroline Gleason-Mercier, Sarah Hughes, & Susannah Knights), International Journal of Community Music 14/2-3, 169-189.
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2019
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Howard Skempton: Conversations and Reflections on Music, Boydell & Brewer, 90,000 words (co-edited with Matthew Head, and with personal contribution of approximately 40,000 words).
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2017
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Review of Edward Klorman Mozart’s Music of Friends: Social interplay in the chamber works (Cambridge UP, 2016), Eighteenth-Century Music, 14/2, 285-290 (co-authored with Matthew Head).
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2015
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‘Celebrating Arnold Whittall’s 80th birthday: Music Analysis Past and Future’. Colloquium report, Society for Music Analysis Newsletter, 21-27.
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1990
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‘A Conspectus of Mozart's Music' [on Mozart's stylistic development], in The Mozart Compendium, Ed. H.C. Robbins Landon (Thames & Hudson), 206-236.
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1989
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Mozart's Variations Reconsidered (Garland Press).
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1989
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Review article of Ian Bent, Musical Analysis (Macmillan, 1987), Journal of the Royal Musical Association, 115/1, 111-122.
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1988
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'Music Analysis Conferenced in Context', The Musical Times, September, 457-58.
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1988
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Conference report on the Tenth Annual Meeting of the Society for Music Theory (Rochester, New York), Music Analysis, 7/2, 239-242.
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1988
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'Schenker's Analysis of the Eroica Finale', Theory and Practice 11, 43-52.
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1988
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'Mozart's 'Haydn' Quartets Composing Up and Down Without Rules', Journal of The Royal Musical Association, 113/1, 59-80.
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1988
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'Mozart's Codas', Music Analysis, 7/1, 31-53.
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1987
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Review of Heinrich Koch, Introductory Essay on Composition trans. Nancy Baker (Yale UP, 1983), Music Analysis, 6/1-2, 196-202.
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1985
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Preface to the Eulenberg Edition of Elgar's Variations on an Original Theme Op. 36.
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1983
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'Explaining Meyer', review-article, Music Analysis, 2/2, 209-20.
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