New release from Kaleidoscope Chamber Collective

Brahms and Contemporaries Volume 2 is the latest album to be released by the Kaleidoscope Chamber Collective, featuring Director of Performance and Performance Studies Rosalind Ventris on viola.

About the disc

Brahms's Third Piano Quartet gestated for a long time - the first sketches were made in 1855, whilst the work was not completed until 1875. Numerous commentators tie the work to Brahms's infatuation with Clara Schumann, who certainly heard many of the various iterations of the piece before its final version. But Brahms did not write programme music, and whatever his motivations may or may not have been, the result is, like the rest of his output, pure music. Louise Héritte-Viardot was a French singer, pianist, conductor, and composer. She was born in Paris, the eldest child of Pauline Viardot- Garcia and Louis Viardot, and sister to the violinist and conductor Paul Viardot. Her singing career was cut short by illness, but with the help of Clara Schumann she found a second career as a singing teacher at the Hoch Conservatory, in Frankfurt. In contrast to Brahms's quartet, Viardot's work is extremely programmatic. Titled Im Sommer (In Summer), it comprises four movements which also carry evocative titles: 'Morning, in the Woods', 'Flies and Butterflies', 'Sultriness', and 'Evening, under the Oak-tree'.

 

The Kaleidoscope Chamber Collective will be performing at Wigmore Hall on Tuesday 15 July. Tickets are £5 for under-35s, and free (in limited numbers) to 25-and-under, available from the Wigmore Hall website.

 

 

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Professor Peter Asimov

Professor Peter Asimov awarded SMT Emerging Scholar Award

Professor Asimov's article 'The Melakartas and the ‘République Modale’: Naturalizing Indian Scales in French Musical Modernism' wins the Emerging Scholar Award at this year's Society for Music Theory annual meeting.
Professor Nomi Dave

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Professor Nomi Dave is co-directing a new research network, with Professor Nicole Stremlau (Faculty of Law) and Dr Tareeq Jalloh (Faculty of Philosophy). The network, Listening to the Law, is funded through TORCH for three years. It brings together academics, students, legal practitioners, artists, and others working on questions of sound and the law. To join the network or attend events, please email listening.law@torch.ox.ac.uk