Masters Composers and Performers Concert

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Holywell Music Room

Free entry - no registration required.

A celebration of collaboration - join us for this special event in which our students completing a Master's degree in Composition write music for their peers completing the same course in Performance.

Programme

JS Bach Prelude, Fugue and Allegro in E-flat major, BWV 998
William Walton Alla Cubana from Five Bagatelles for Guitar
Emmanuel Sowitz, guitar

Asha Parkinson Rave for One 
Asha Parkinson, saxophone

JS Bach Lute Suite in E minor, BWV 996
Emilia Giuliani-Gigliemi Preludes No. 6 from Six Preludes for Guitar op. 46
Tom Bruges, guitar

Asha Parkinson Al-Khub (Love)
Asha Parkinson, saxophone; James Lawson, piano

William Saul Interruptions for cello and live electronics
Andrew Smith, cello

Ernst Bacon It's all I have to bring
John Duke Loveliest of Trees
John Duke The Bird
John Duke Penguin Geometry 
Asha Parkinson When memory is full
Asha Parkinson If recollecting were forgetting 
Emily Arlidge, voice; Antoinette Cheng, piano

Alessandro Loro Duo in C  Tom Bruges, guitar; Emmanuel Sowitz, guitar

<speaks> | Tomomi Adachi

Adachi will talk about his wide-ranging practice spanning music, poetry and visual art. Topics will include human voice, composition, improvisation, performance technique (and its absence), site-specific work, technology and artificial intelligence. The talk may also include a short performance designed for the online format.

Brother Tree Sound

A journey through British folk music.

The Chamber Concerts: Beethoven with the Neruda Quartet I

2026 Tillett Debut Artists the Neruda Quartet perform string quartets by Mozart and Beethoven.

Phantom Melodies and Tangerine Trees: A voyage through the psychedelic musical experience

Using musical illusions, perceptual experiments and examples from The Beatles, Pink Floyd, Tchaikovsky, Steve Reich and beyond, Prof. Milton Mermikides explores how music can evoke altered perceptions of time and self, the blending of senses and moments of transcendence, and why music relies on the very same perceptual mechanisms for its extraordinary power.

Migration, Performance & Policy seminar

From Photos to Forensics: Borders and Fatalities in Calais, Italy, and the Mediterranean Sea

Book launch - ‘The Networked Court: Transdisciplinary Perspectives on Late Medieval Court Cultures’

Presentations by editor Karl Kügle and authors Jane Gilbert, Christophe Masson, and Helen Swift