Graduate Research Colloquia: Dr Bethan Winter (University of Oxford)

Harmonizing Nations: Classical Music and Cultural Diplomacy between East Germany and Japan during the Cold War

Abstract

The study of cultural diplomacy in the twentieth century has long been dominated by a focus on the superpower dynamics of the Cold War, often portraying smaller states as passive actors beholden to the agendas of their respective hegemons. This pericentric study of East German-Japanese relations challenges that narrative by demonstrating how East Germany actively leveraged classical music to transcend ideological divides and foster normalized diplomatic and economic ties with Japan, even amid the geopolitical constraints of the time.

Through choral and orchestral tours and scholarly exchanges, East Germany projected itself as the steward of German cultural heritage, capitalizing on Japan's profound admiration for German classical music. Additionally, the involvement of non-state actors, exemplified by Japanese pianist Noboru Toyomasu's collaboration with GDR Bach scholars, further enriched these cultural ties, demonstrating the significance of individual agency in cultural diplomacy.

This case study underscores the strategic use of music as a tool for diplomacy, the interconnectedness of cultural and economic relationships, and the critical role of smaller states in shaping international relations during the Cold War. It illustrates how East Germany successfully employed cultural, and specifically musical, diplomacy to navigate a polarized global landscape, leaving a legacy of enduring cultural and diplomatic connections.

Image
250204 bethan winter

Biography

Dr. Bethan Winter is a social and cultural historian specializing in the Cold War, with a focus on the German Democratic Republic and its international relations. Currently a postdoctoral associate member of the History Faculty at the University of Oxford, she has previously held lectureships in both History and Music at Magdalen College, Oxford, as well as teaching for DPIR. Bethan will soon take up a Mieroszewski Scholarship in Warsaw, where her research will focus on East-East relations during the Cold War.

<speaks> | Tomomi Adachi

Adachi will talk about his wide-ranging practice spanning music, poetry and visual art. Topics will include human voice, composition, improvisation, performance technique (and its absence), site-specific work, technology and artificial intelligence. The talk may also include a short performance designed for the online format.

Brother Tree Sound

A journey through British folk music.

The Chamber Concerts: Beethoven with the Neruda Quartet I

2026 Tillett Debut Artists the Neruda Quartet perform string quartets by Mozart and Beethoven.

Phantom Melodies and Tangerine Trees: A voyage through the psychedelic musical experience

Using musical illusions, perceptual experiments and examples from The Beatles, Pink Floyd, Tchaikovsky, Steve Reich and beyond, Prof. Milton Mermikides explores how music can evoke altered perceptions of time and self, the blending of senses and moments of transcendence, and why music relies on the very same perceptual mechanisms for its extraordinary power.

Migration, Performance & Policy seminar

From Photos to Forensics: Borders and Fatalities in Calais, Italy, and the Mediterranean Sea

Book launch - ‘The Networked Court: Transdisciplinary Perspectives on Late Medieval Court Cultures’

Presentations by editor Karl Kügle and authors Jane Gilbert, Christophe Masson, and Helen Swift