Musical Pause

with Daniel Roberts, Dr Maria Razumovskaya and Faculty of Music students

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Free entry - registration required.

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maria and daniel photo daniel photo credit  paul marc mitchell

daniel photo credit paul marc mitchell

Take a musical moment to pause, recharge and unwind at the end of the working day. for our second rush hour concert of the term. This concert brings together professional violinist Daniel Roberts and Oxford University's Director of Performance, Dr Maria Razumovskaya, in an evening of side-by-side performances with Faculty of Music students. 


Programme:

György Ligeti: Baladă şi joc 

Béla Bartók 44 Duos for Two Violins:

      14, Pillow Dance

       26, Teasing Song

       28, Sorrow

       36, Bagpipes

       44, Transylvanian Dance 

Jaidon Elliott, violin

Daniel Roberts, violin


Jean-Marie Leclair Sonata for Two Violins in E minor, Op3, no.5

Samuel Cole, violin

Daniel Roberts, violin


Dmitri Shostakovich 5 Pieces for 2 Violins and Piano

Daniel Roberts, violin

Natsha Kruatrachue, violin

Elisabeth Egel, piano

Felix Patten, piano


Johannes Brahms Violin Sonata No. 1 in G major, Op. 78, Regensonate

Daniel Roberts, violin

Dr Maria Razumovskaya, piano

<speaks> | Tomomi Adachi

Adachi will talk about his wide-ranging practice spanning music, poetry and visual art. Topics will include human voice, composition, improvisation, performance technique (and its absence), site-specific work, technology and artificial intelligence. The talk may also include a short performance designed for the online format.

Brother Tree Sound

A journey through British folk music.

The Chamber Concerts: Beethoven with the Neruda Quartet I

2026 Tillett Debut Artists the Neruda Quartet perform string quartets by Mozart and Beethoven.

Phantom Melodies and Tangerine Trees: A voyage through the psychedelic musical experience

Using musical illusions, perceptual experiments and examples from The Beatles, Pink Floyd, Tchaikovsky, Steve Reich and beyond, Prof. Milton Mermikides explores how music can evoke altered perceptions of time and self, the blending of senses and moments of transcendence, and why music relies on the very same perceptual mechanisms for its extraordinary power.

Migration, Performance & Policy seminar

From Photos to Forensics: Borders and Fatalities in Calais, Italy, and the Mediterranean Sea

Book launch - ‘The Networked Court: Transdisciplinary Perspectives on Late Medieval Court Cultures’

Presentations by editor Karl Kügle and authors Jane Gilbert, Christophe Masson, and Helen Swift