Composition Workshop with Jonathan Eyers and Thomas Eeckhout

Image
Jonathan Eyers and Thomas Eeckhout

Free to attend, book via the Oxford International Song Festival website.

Presented in association with the Faculty of Music, University of Oxford

Six talented student composers from the University of Oxford's Music Faculty hear their songs performed by Oxford Song Young Artist Jonathan Eyers in a workshop setting. Feedback from the performers and from Prof. Martyn Harry offers a fascinating glimpse into the creative process.

This event is not included in a Festival Pass; please book this separately. For more information about passes, please visit the pass information page on the Oxford International Song Festival website.

 

 

<speaks> | Tomomi Adachi

Adachi will talk about his wide-ranging practice spanning music, poetry and visual art. Topics will include human voice, composition, improvisation, performance technique (and its absence), site-specific work, technology and artificial intelligence. The talk may also include a short performance designed for the online format.

Brother Tree Sound

A journey through British folk music.

The Chamber Concerts: Beethoven with the Neruda Quartet I

2026 Tillett Debut Artists the Neruda Quartet perform string quartets by Mozart and Beethoven.

Phantom Melodies and Tangerine Trees: A voyage through the psychedelic musical experience

Using musical illusions, perceptual experiments and examples from The Beatles, Pink Floyd, Tchaikovsky, Steve Reich and beyond, Prof. Milton Mermikides explores how music can evoke altered perceptions of time and self, the blending of senses and moments of transcendence, and why music relies on the very same perceptual mechanisms for its extraordinary power.

Migration, Performance & Policy seminar

From Photos to Forensics: Borders and Fatalities in Calais, Italy, and the Mediterranean Sea

Book launch - ‘The Networked Court: Transdisciplinary Perspectives on Late Medieval Court Cultures’

Presentations by editor Karl Kügle and authors Jane Gilbert, Christophe Masson, and Helen Swift