Ensemble Isis | Tansy Davies

featuring works by student composers

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Ensemble Isis, Tansy Davies

Tickets £25 stalls / £10 students (tickets free for all music students / Music Faculty members)

  Soul Canoe (2019) small black stone (2000) grind show (electric) (2010) plus works by student composers   This day of events is the culmination of the third Ensemble Isis <edge> residency in which an inspirational contemporary composer works closely with the student performers and composers from the Faculty of Music. Tansy Davies (b. 1973) characterises the role of the solo saxophone in her 2004 work Iris as that of 'a shaman, or one who walks between worlds'. In doing so she also describes herself - a musician whose boundary-breaking curiosity makes her a truly distinctive voice. With a background as a horn player, electric guitarist and vocalist, Davies studied composition with Simon Bainbridge at the Guildhall School of Music & Drama and with Simon Holt at Royal Holloway. The recipient of a 2009 Paul Hamlyn Award, Davies has written works for numerous world-class orchestras, including Tilting (2005) for the London Symphony Orchestra and Wild Card, premiered by the BBC Symphony Orchestra at the 2010 Proms. Her music has been championed internationally by ensembles including the Toronto Symphony Orchestra, BBC National Orchestra of Wales, Orkest de Ereprijs, Ensemble intercontemporain, the Tokyo Symphony Orchestra, and The Israel Contemporary Players, and at festivals including MaerzMusik, Leeds Lieder, Ultima, Présences, and Warsaw Autumn.  

Davies has taught at the Royal Academy of Music, London, and was Associate Professor of Composition at the Jacobs School of Music, Bloomington, Indiana. Recent projects include Plumes (2019) for Royal Northern Sinfonia and Soul Canoe for Asko|Schönberg - the latter commissioned as part of a season-long residency at Amsterdam's Concertgebouw in 2018/19. In 2022 Davies composed Stone Codes for percussionist Konstantyn Napolov and the Orkest de Ereprijs for November Music, which received its Polish premiere at Warsaw Autumn in September 2024. In 2024 Asko|Schönberg premiered Canopies of Liquid Light, a 24-minute work scored for the same forces as Steve Reich's City Life. 2024 also saw the premiere of The Ice Core Sample Says at Leeds Lieder, a new setting of her longtime collaborator Nick Drake for Ema Nikolovska and Joseph Middleton.

6pm pre-concert talk by Tansy Davies; free to attend, more information here.

OSJ Ensemble Launch Concert

Jan Schmolck, violin, and Howard Moody, harpsichord and piano

Villiers Quartet with Alexander McNamee (piano) and Emily Chambers (double bass)

Rebecca Clarke: Poem (Adagio) for String Quartet (1926) Haydn: String Quartet in Bb major, op. 76/iv, “Sunrise” (1797) William Alwyn: String Quartet No. 9, "Romeo & Juliet” (1931) Schubert: Piano Quintet in A major, D. 667, “Trout” (1819)

TYNDALE500 : Let there be Light

Five hundred years ago, one book was smuggled, hunted and burnt. The words contained in this book changed the English language forever. This October, you can experience the drama for yourself.

Ensemble Isis | Andrew Hamilton

Music by the Dublin-born composer, Andrew Hamilton, alongside new works by student composers.

International Piano Series: Yuko Sano

Sunny Mozart, sparkling Scarlatti, Chopin strutting proudly, Schubert’s Theme and Variations, and the excitement of the UK premiere of Jacques Allen’s prize-winning composition.

Strings masterclass with Professor Matthew Jones

An afternoon masterclass with Matthew Jones, Professor of Viola and Head of Chamber Music at the Guildhall School of Music & Drama, exploring repertoire, technique and the art of ensemble playing.