Graduate Research Colloquia: Dr Jacob Kingsbury Downs (University of Oxford)

'Ancestral Crossfades: Affective Articulation in Beyoncé's RENAISSANCE'

Image
Jacob Downs

Abstract

Beyoncé's RENAISSANCE (2022) is an album overflowing with musico-affective collisions and fluidities. As her listeners, we career through sonic worlds influenced by Black (and) queer musical histories, encountering the ebullient, inexorable urgency of the dancefloor at every turn. In this talk, I combine a musicological interest in the composition of Beyoncé's sonic aesthetic with philosophical exploration of the album's foregrounding of affective articulation. I focus in detail on junctures between tracks and sections, examining the influence of early disco practices on moments of 'seamless mixing', beat-matching, and tempo-mapping, as well as considering how the narrative logics of such moments imbricate with the themes of the record. In this way, I critically investigate how RENAISSANCE's aesthetic and structural gestures echo the sonic and affective flows and overflows of Beyoncé's (self-professed) musical ancestries. I do so partly by adopting Luis-Manuel Garcia-Mispireta's (2023) notion of liquidarity as a descriptor of the 'fluid togetherness' of the dancefloor, asking how-and why-we might hear dance music's embodied socialities in the album's form, as well as why we might critique its aesthetic intentions.

Biography

Dr Jacob Kingsbury Downs is Departmental Lecturer in Music at the University of Oxford, where he also serves as Chair of Faculty in the Faculty of Music and Organising Tutor in Music at Lady Margaret Hall. In 2024, he was named as a BBC/AHRC New Generation Thinker. His research links contemporary music, sound studies, continental philosophy, music technology, and empirical approaches to the study of music consumption and creation. He is currently PI on the John Fell Fund project 'Regarding the Noise of Others: Social Phenomenologies of "Loudcasting" on Public Transport' and Co-I on the UKRI project 'Influencing Environmental Values through Music'. His first monograph, Headphone Listening: Space, Embodiment, Materiality, will be published by Bloomsbury Academic in 2025/2026.

Iphigenia at Aulis

The Oxford triennial Greek Play returns, with an original score by music student Peter Hardisty.

Little Kitchen

An ensemble of singers, strings and a jazz trio (!) performing a range of music, from Nat King Cole to Charli XCX.

Rémy Ballot and OUO Solo Players - Bruckner: String Quintet, Mathilde Kralik: Nonet

Following their successful chamber ensemble programme of Mozart and Strauss last January, violinist and conductor Rémy Ballot is joined by a chamber ensemble drawn from members of OUO to give a concert that presents Bruckner’s resplendent String Quintet alongside the work of his student, Mathilde Kralik. Kralik’s Nonet is scored for the rare combination of clarinet, bassoon, two horns, string quartet and piano.

A Celebration with Shesh Besh

Bringing together Jewish musicians from the Israel Philharmonic Orchestra with Arab musicians from northern Israel, Shesh Besh creates a distinctive and captivating sound, weaving Western classical music together with the rich musical traditions of the Middle East. But it is what happens between the musicians, as much as the music itself, that makes this ensemble so remarkable.

“O Mozart! Immortal Mozart”

Mozart: Symphony No.40 in G Minor (K.550) | Schubert: Symphony No.5 in B-Flat Major (D.485)

The World's Music at Oxford: Dongyang Gozupa

A unique fusion of gugak (Korean folk music) and progressive rock from a leading ensemble of South Korea's new wave of traditional music.