All Souls Seminars in Medieval and Renaissance Music: Paul Kolb (University of Leuven)

Image
Seminar in Medieval and Renaissance Music

Free to attend, register via the the main series page.

Presenter: Paul Kolb (University of Leuven)
Title: Contextuality and Irregularity in Late-Medieval Mensural Notation
Discussants: Emily Zazulia (University of California, Berkeley) and Antonio Chemotti (University of Leuven)

While theorists from Johannes de Muris to Johannes Tinctoris insisted that imperfection and alteration could be at work at multiple mensural levels (modus, tempus, prolation) simultaneously, requiring a complex balancing of different rules in context, in practice most mensural usage from the mid-fifteenth century to the early sixteenth century was both simpler and messier. In most cases, there is no more than one level at which musicians need to discern imperfection and alteration, and yet even so notational devices-dots, ligatures, rests, coloration, spacing-were optimized so that singers could rely on local notational context without having to analyze the overall mensural context. By extension, the standard signs of mensuration are not the only indications of mensural structure; sometimes the musical or notational context might lead us to override what we think the signs should mean. Drawing on theoretical and practical examples, this paper examines some of the conflicts and contradictions between mensural theory and notational and compositional practice. For example, irregular bar lengths bear witness to the mensurations holding less force as a structural unifier. Confusion between the concepts of mensuration and proportion lead to instances where a single sign could be followed by music in different mensurations, or a single mensuration could follow multiple signs (or none). Overall, I argue for a more context-dependent understanding of rhythm in fifteenth- and early sixteenth-century music.

About the series

This long-running series of seminars, convened by Dr Margaret Bent, considers all aspects of medieval and renaissance music. It runs on Zoom in Michaelmas and Hilary Terms and generally attracts a large international audience. Usually, a presenter speaks for around 30 minutes and then engages with invited discussants for another half an hour. The floor is then open for questions and lively general discussion.

Syncopation Nation - Oxford Chamber Music Festival

Ragtime, Bach, Cage and Golijov collide. Joplin's swing meets classical daring. Holywell Music Room.

Quantum Universe: Less than Nothing, More than Everything

Pianist, composer, author and quantum musician Rakhat-Bi Abdyssagin discusses his recent books.

The Lark Ascending

The English Chamber Orchestra and Harriet Mackenzie perform Vivaldi's "Winter" and Classics by Candlelight.

OCMF Studio: Alena Baeva Masterclass

Step behind the curtain of the 2026 Oxford Chamber Music Festival for an intimate encounter with the world's finest musical minds.

What is American Music? with Philip Clark

An illuminating journey into the melting pot of a continent’s sonic identity.

Blue Hour: Night Music from the Americas - New Worlds Festival Closing Concert

The acclaimed global collective of OCMF Artists comprises some of the world's most exceptional musicians, whose profound artistry and virtuosic performances have captivated audiences across the globe come together to close this year's Festival with a thrilling grand finale.