Graduate Research Colloquia: Dr Esther Cavett (KCL, University of Oxford) and Javier Rivas (King's College London)

'It's like you're an activist': Sustainable teaching practices in a music outreach project in London

Abstract

Image
Primary school choir

This colloquium contributes to current conversations on the potential for participatory music-making to promote sustainable human coexistence. We attend to the experiences and collaborative learning practices of teachers working in a community music school and outreach initiative known as the King's Music Academy, based in Southwark, London. In order to interrogate how teachers make sense of their experience at the Academy, qualitative data were collected through semi-structured interviews and analysed through interpretative phenomenological analysis. Findings suggest that participation in the Academy facilitates processes of self-reflection, personal growth and cultural exchange among teachers. Teachers become part of an organic network where innovative pedagogical practices are discussed and adopted. We conclude that the development of certain 'rhizomatic' attitudes and structures in the context of the classroom can contribute to imagining alternative ways of thinking about the self, music-making and society at large.

Biographies

Esther Cavett is a senior research fellow in Music at King's College London and college lecturer in Music at Somerville, Jesus and Lincoln Colleges, where she specializes in teaching the analysis of western classical music from the eighteenth to twentieth centuries. Her research interests are music theory and analysis, widening access to music education, music pedagogy and music psychology (especially qualitative interviewing). As a pianist, she performs and works with various musical charities dedicated to improving access to and broadening appreciation of music.

E-mail: esther.cavett@kcl.ac.uk

https://orcid.org/0000-0002-4842-4641

Javier Rivas is a writer, teacher, musician, researcher and Ph.D. candidate in the Music Department at King's College London. His doctoral research explores ideas of academic reform and culture change in higher music education, through field and archival work at ESMUC (Catalonia School of Music). Javier has researched and taught music, anthropology, and social theory at King's College London, University College London, and ESMUC. His work has appeared in Ethnomusicology Forum and the International Journal of Community Music. As a cultural organiser, Javier serves as the project manager for the King's Music Academy and as a trustee of the national charity Water City Music. Javier's research, teaching and outreach work address current debates in music studies to imagine and bring about new spaces and practices grounded on radical care, inclusion, equality and diversity.

E-mail: javier.rivas_rodriguez@kcl.ac.uk

https://orcid.org/0000-0002-6704-4257

OSJ Ensemble Launch Concert

Jan Schmolck, violin, and Howard Moody, harpsichord and piano

Villiers Quartet with Alexander McNamee (piano) and Emily Chambers (double bass)

Rebecca Clarke: Poem (Adagio) for String Quartet (1926) Haydn: String Quartet in Bb major, op. 76/iv, “Sunrise” (1797) William Alwyn: String Quartet No. 9, "Romeo & Juliet” (1931) Schubert: Piano Quintet in A major, D. 667, “Trout” (1819)

TYNDALE500 : Let there be Light

Five hundred years ago, one book was smuggled, hunted and burnt. The words contained in this book changed the English language forever. This October, you can experience the drama for yourself.

Ensemble Isis | Andrew Hamilton

Music by the Dublin-born composer, Andrew Hamilton, alongside new works by student composers.

International Piano Series: Yuko Sano

Sunny Mozart, sparkling Scarlatti, Chopin strutting proudly, Schubert’s Theme and Variations, and the excitement of the UK premiere of Jacques Allen’s prize-winning composition.

Strings masterclass with Professor Matthew Jones

An afternoon masterclass with Matthew Jones, Professor of Viola and Head of Chamber Music at the Guildhall School of Music & Drama, exploring repertoire, technique and the art of ensemble playing.