All Souls Seminars in Medieval and Renaissance Music: Elina Hamilton (University of Hawai'i, Mānoa), Peter Lefferts (University of Nebraska, Lincoln) and Elżbieta Witkowska-Zaremba (Warsaw, Polish Academy of Sciences)

'Theinred of Dover (fl. c. 1300): A new context for him in fourteenth-century music theory'

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Seminar in Medieval and Renaissance Music

Elina Hamilton (University of Hawai'i, Mānoa), Peter Lefferts (University of Nebraska, Lincoln) and Elżbieta Witkowska-Zaremba (Warsaw, Polish Academy of Sciences)
Title: Theinred of Dover (fl. c. 1300): A new context for him in fourteenth-century music theory

De legitimis ordinibus pentachordorum et tetrachordorum by Theinred of Dover has long been known to scholars but has virtually remained inaccessible until recent years: a transcription of its text, made by John L. Snyder, was mounted onto TML only in 1996, and a critical edition by Snyder published in 2006 detailed an argument that dated the treatise to c. 1150.  This seminar brings together three perspectives for repositioning Theinred in the fourteenth century, a date that had been offered in the very earliest accounts of the theorist. Responding to the 12th-century hypothesis, Hamilton will argue for a fourteenth-century date based on a new evaluation of Theinred's sources; Lefferts will present contexts for-and close readings of-Theinred's text that draw him into a tight circle of prominent theorists of the same era, and Witkowska-Zaremba will consider Theinred's theories in the context of Boethius's De institutione musica, pointing to the ideas and solutions presented by Boethius in the fourth book of his treatise and their reception in England around 1300.

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Jan Schmolck, violin, and Howard Moody, harpsichord and piano

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Rémy Ballot and OUO Solo Players - Bruckner: String Quintet, Mathilde Kralik: Nonet

Following their successful chamber ensemble programme of Mozart and Strauss last January, violinist and conductor Rémy Ballot is joined by a chamber ensemble drawn from members of OUO to give a concert that presents Bruckner’s resplendent String Quintet alongside the work of his student, Mathilde Kralik. Kralik’s Nonet is scored for the rare combination of clarinet, bassoon, two horns, string quartet and piano.