LIVE X EMPRes

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Free, registration required

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260429 live xempres

LIVE x EMPRES again brings together experimental music, performance, sound art and film for a one-night programme at Modern Art Oxford.

All participants were invited to respond to the MAO retrospective exhibition of Suzanne Treister: Prophetic Dreaming which examines emerging technologies, networks of power, alternative belief systems and potential futures of humanity (4 October 2025 - 3 May 2026). 

The evening will feature a live tarot reading by Suzanne Treister, with improvised response from the Music Faculty's Free Improv group, alongside New York based interdisciplinary artist Devin Kenny, performing "No More Aggregatekeepers" - for microphone, video synthesizer and skateboard.

The multi-room event runs from 6pm - 10pm, presenting various performances and installations by artists and musicians from the University of Oxford's Music Faculty and the Ruskin School of Art; showcasing emerging work across experimental music, sound art, film and performance, including:

Maliha Abidi + Saad Barcha ✵ Naomi Benenson ✵ Esther Bodkin ✵ Thomas Bruges ✵ Christopher Butler-Cole ✵ Clara Hill ✵ Olivia Hall ✵ Se Lyn Lim + Moon Han ✵ Qi Baiting ✵ Naiya Ellis-Woodward + Scott Wearing ✵ Mao Yao ✵ Gustaw Szydlik


EMPRES (Electronic Music Practice Research) is the University of Oxford's research group dedicated to experimental and electronic music practices, supporting collaboration between artists, composers and researchers across disciplines.

<speaks> | Tomomi Adachi

Adachi will talk about his wide-ranging practice spanning music, poetry and visual art. Topics will include human voice, composition, improvisation, performance technique (and its absence), site-specific work, technology and artificial intelligence. The talk may also include a short performance designed for the online format.

Brother Tree Sound

A journey through British folk music.

The Chamber Concerts: Beethoven with the Neruda Quartet I

2026 Tillett Debut Artists the Neruda Quartet perform string quartets by Mozart and Beethoven.

Phantom Melodies and Tangerine Trees: A voyage through the psychedelic musical experience

Using musical illusions, perceptual experiments and examples from The Beatles, Pink Floyd, Tchaikovsky, Steve Reich and beyond, Prof. Milton Mermikides explores how music can evoke altered perceptions of time and self, the blending of senses and moments of transcendence, and why music relies on the very same perceptual mechanisms for its extraordinary power.

Migration, Performance & Policy seminar

From Photos to Forensics: Borders and Fatalities in Calais, Italy, and the Mediterranean Sea

Book launch - ‘The Networked Court: Transdisciplinary Perspectives on Late Medieval Court Cultures’

Presentations by editor Karl Kügle and authors Jane Gilbert, Christophe Masson, and Helen Swift