Musical treasures from the Italian early Baroque: songs and dances from Milan, Bergamo, Venice and Rome

Featuring the voices and players of the Bate Collective, directed by Jonathan Williams

Free entry, no registration required

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Bate Collective

Come along and join the Bate Collective for their first concert of the year. This concert forms part of the Faculty of Music's Lunchtime Recital Series, in collaboration with Magdalen College Music Society. 

Programme:

Chiara Cozzolani : 'Domine ad adiuvandum a8' from I Vespri Natalazi (1650)
Tarquinio Merula : 'Ballo detto Gennaro' from Canzoni overo Sonate concertate per chiesa e camera, op. 12 (1637)

Giovanni Antonio Rigatti :  'Nisi Dominus a3' from Messa e salmi (1640)

Giacomo Carissimi : 'Plorate, filii Israel' - the final scene of the oratorio Jephte (ca.1650)

Plus organ works by Merula and dances by Girolamo Frescobaldi and Gasparo Zanetti

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The World's Music at Oxford's 2026-27 series begins with darkly ethereal and deeply moving Irish a cappella harmonies.

The Alonetimes

A bold new music-theatre work about memory, loneliness, and belonging by composers Professor Jennifer Walshe and Philip Venables.

Public seminar: Erin Johnson-Williams (University of Southampton)

All Souls Seminars in Medieval and Renaissance Music: David Catalunya (Universidad Complutense de Madrid)

St Cross College South African Township Music Concert

A one-hour programme of South African township music in celebration of Black History Month.

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Neglected for decades, French composer Charlotte Sohy (1887-1955) is now being celebrated as one of the most compelling musical voices of her generation. Join us for a special evening exploring her extraordinary story through film, discussion and live performance, curated by pianist Reiko Fujisawa.